How To Make Realistic Lens Flares In Photoshop & In Camera
Phlearn’s Aaron Nace shows how to make realistic lens flares in Photoshop, and I explain what they are and how they’re formed in camera.
Getting The Commercial Editorial Smooth Hair Look Is Easier Than You Think
We take you through step by step, a highly useful method of smoothing coarse, or unruly hair, and showing you should you can achieve it quickly, and with a commercial look.
How To Replicate The Color Palette From Any Photo Or Famous Painting In Seconds In Photoshop
Take some old pictures you love, and mix it with other art you love. Learn how to quickly take the color casts from any image and make it part of yours
An Illustrative Guide To Popular Light Modifiers (Video)
British Photographer Karl Taylor shares a highly detailed and visual guide to light modifiers like soft boxes, octabox, and parabolic reflectors.
When Mother Nature and Photoshop Collide | Wildlife Composites by John Wilhelm
Many of us photographers love to shoot, but really loathe the post processing. Being in front of a glaring computer screen, editing for hours upon endless hours seems torturous for some. For John Wilhelm, a self proclaimed, “Photoholic,” the process from image to Photoshop to final product takes about 5 hours per photo and is so addicting that he goes through withdraws if he doesn’t go through the process for more than 2-3 days.