Working with agency models is a highly coveted and sought after goal for many aspiring fashion and beauty photographers. This is a highly romanticized feat and it is assumed that capturing amazing poses with equally impressive facial expressions is as easy as supermodel Cocoa Rocha makes it appear.
While there are absolutely models who know their angles, the reality is that many of the agency models you are likely to test with in the beginning are new faces. These new faces often have very little, if any, experience with a professional photographer and require some gentle-handed guidance when it comes to posing.
Learning how to direct and pose a model into a workable image pays off ten-fold. It is a valuable skill set to possess and nearly guarantees a successful shoot no matter the circumstance. Here are three simple go-to poses that work time after time.
Over the shoulder
Often revered for beauty work, close-up portraits and headshots, over the shoulder poses focus on the model’s face. It is all about that neck and jawline and therefore must be given the appropriate attention.
Start by having the model bring her shoulder toward the camera and look over it. Give verbal cues such as tilting the chin up and down, forward and backward as well as tilting the head left or right to minimize the wrinkles of the neck and avoid a double chin. If all else fails, you can either physically place their head where it needs to be or ask them to give you their selfie angle from that perspective.
This simple pose can be elevated by having the model use her hands to play with her hair or gently touch her face. Make sure that the hands do not resemble claws and that the over all image looks natural and unforced.
This refers to the model’s stance and means that she is facing the camera head-on with her feet firmly planted and several feet apart. It works especially well for full body frames and 3/4 crops.
A power pose is simple in essence and pairs well with stronger facial expressions. It can be static and very linear with the model’s hands on hips or in pockets, at her sides, or folded across her midsection. Placing the limbs in an asymmetrical position can also add an element of visual interest to an otherwise minimalistic pose.
In addition to lengthening women, knowing how to emphasize and minimize natural curves for an hourglass shape is imperative. Angling the model away from the camera is an easy way to capture the natural curves of her hips and lower back.
To minimize curves, have the model place most of her weight on the back foot with the front foot crossed slightly in front. The lower part of the body can be further minimized by having the model lean forward slightly. A model’s curves can be enhanced by having her place most of her weight on the front leg if photographing her from the side. If the model is facing the camera head-on, have her “pop a hip” by placing most of her weight on one leg.
Remember that a pose is null and void if the expression isn’t up to par. A good rule of thumb is to start simple and progress accordingly. Gentle movements from side to side and teaching the model to rock back and forth while accentuating her curves are great ways to keep the pose from feeling static and stiff.
The difficulty of these simple poses can also be increased by adding props, movement and appropriate facial expressions as a rapport develops throughout the shoot. They are also good poses to fall back on when the attempted shot isn’t working.
Learning how to pose and direct a model improves your skills as a photographer. It also helps recognize those subtle cues and identify when a huge pose is coming to prepare for those future shoots with working models.
For more on model test shoots and lighting check out the following:
You can also check out more poses on my website at http://brittanysmith.co.
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