How to Create a Panorama with a Tilt-Shift Lens

In preparation for our upcoming Rokinon 24mm f/3.5 TS (tilt-shift) lens review, we’ve been shooting a few different types of scenes and testing things out. Here is a simple technique for creating seamless, quick panoramas that merge together effortlessly! (If you want to learn more about how to make a tilt-shift panorama, stay tuned and we’ll have more articles up soon!)

Our Favorite Tripod is on Sale at B&H for $109! – Manfrotto 190 Series

Here at the Studio for SLR Lounge, (and Lin & Jirsa Photography) we have a LOT of tripods. For some cazy reason, we probably have 2-3 tripods per photographer! I don’t know how that happened, but as a landscape and time lapse photographer I certainly don’t mind having a couple backup tripods.

Going Minimal With Blackstone Bags Urban Quiver 3.0 Pack – Gear Review

When it comes to camera sling bags, Blackstone Bag’s Urban Quiver 3.0 definitely stands out. It is stylish without being loud, and because the camera compartment access is against your back when wearing it, you don’t have to worry about camera theft as much. So is this the go-to bag for a day excursion?

Self Portraits by Chinelle Rojas Reflect Social Issues Affecting Women Worldwide

Self-taught photographer Chinelle Rojas of Belle Coeur Portraiture in Colorado Springs, Colorado started a self portrait project this past winter “out of boredom” while her husband was gone for military training. After receiving positive feedback from her social media community, Chinelle decided to continue making the “selfies” week after week.

Getting a Creative Angle on Wedding Ceremony Venue Photos – How We Shot It

Here’s a challenge: How do you capture a perspective from a very high angle, when there is no balcony etc. like you would find at the back of a church? Well, today we answer that question!

Using ND Filters to create Motion Blur in Bright Sun – How We Shot It

In this video, Matthew Saville describes the various methods and options available for creating a slow motion blur during bright sunny conditions. For anyone who knows the “Sunny Sixteen” rule, if your aperture is at f/16 then a perfect exposure at ISO 100 would be 1/100 sec, and a perfect exposure at ISO 400 would be 1/400 sec, and so on. However this image was created at f/13, ISO 100, and 2.0 seconds.