Have You Seen Our Wedding Training System?

Your content will be up shortly. Please allow up to 5 seconds
Tips & Tricks

10 Career Changing Tips For An Aspiring Photographer

By Ryan Filgas on August 15th 2014

Emerging Photographers

As an aspiring photographer, life can start out pretty tough. In my experience, either you shell out a bunch of money for school, you learn on your own, or you search madly for assisting jobs. You might just have three part time jobs, and not a lot of free time to be creative. Welcome to the beginning of life as a photographer. These are some tips I’ve gathered over my short journey in photography, and I’ve been surprised by how much progress is still made as I continue to go back to them. Some of these tips might be review, but stick through to the end, your reading efforts will be rewarded.

Tip 1: Think Like An Artist & Collaborate

An artist considers much more than whether their photograph is beautiful, or ugly, they consider whether it tells a story and how that story can be communicated more effectively. Consider a photograph’s purpose and try collaborating with other photographers and artists to bring your images to the next level.

Here’s a photograph taken a few weeks ago. You can see a vast stretch of pavement with some fog; but the desolate landscape doesn’t have that story telling capacity by itself. Adding a person to this photograph adds movement, an obscured destination, and a question.

[REWIND: Quitting Your Day Job Part 6: The Art Of Being A Photographer’s Assistant]

Ryan-Filgas-Fog-Portrait-SLR-650px

Tip 2: Getting Noticed – Create a Series

One of the first things I found out when I started writing articles for SLR Lounge is that there’s an incredible amount of photographers that haven’t been discovered because they have a nice image here and there, but no cohesive body of work to write about, myself included. There has to be something special and different to garner attention, and you don’t just get found magically; it takes a lot of work. It may look like there are overnight sensations in the photography and music industries, but it’s a ruse, they don’t exist. The good part about working in series is you can work on several at once. It will keep you ready for more challenges, adds diversity to your work, and it doesn’t put all of your eggs into one basket so to speak.

Also, consider each photograph as part of a series. Ask questions like: will this look good with the others? Should the edits be more consistent? What size does this look best printed? How should they be displayed together on a wall? Should I crop them all the same? The placement of images next to each other can have a profound effect on the meaning or feel of a set. Here are four images from a documentary series I’m working on. Alone, each of these photos is fine and they have a clear subject, but there’s no conclusions to draw when considering them individually. Adding the others gives much needed context, and adding more will only improve the set.

Ryan-Filgas-Eureka-Madaket-Cruise-SLR-650px

Tip 3: Don’t Critique Immediately & Remember To Ask Friends

Find your best photos, edit them, print some 4×6 copies and stick them to the wall. See if you like them after a week, show them to other photographers, but most importantly, show them to some friends who have no problem telling you if your work is nice or terrible; someone who will be honest and constructive. There’s a counter-culture surrounding photographers where we can get caught up critiquing each other’s work and then are surprised when the rest of the world finds our least favorites to be the best of the batch. A worse alternative is that our work can all start to look the same through conformity. There’s a fine balance between looking at the work of others and focusing on your own.

Ryan-Filgas-Wall-SLR-650px

Tip 4: Study Light

This may be the most obvious thing to any photographer, but it’s worth saying. Different times of day can yield wonderful photographs, but few new photographers study the light enough to take advantage of the light modifiers and light sources all around us. If you live near a city, or anywhere really, you have a wealth of shooting opportunities. There are windows you can use to reflect light and shoot through (water too), an overhang or tree that creates wonderful shade and makes brilliant catch lights in the eye, street lamps at night, bus stops, piers, headlights, trunk lights, flashlights etc. While location is indeed a factor, the direction, temperature, and softness of light will always define an image more profoundly than the location where it’s taken.

Tip 5: Consider Shadows and Texture

During a sunrise, the shadows get longer, but at this time of day the light can better expose the texture on walls, benches, sand etc. because they are lit from the side when the sun is low, and the same is true for sunset. Aside from the golden light and dreamy portraits, texture and shadow are the other reasons photographers favor shooting during these hours. Once you understand how light effects texture and shadow, you can use your own light sources to manipulate it.

Take this self portrait for example. The background is a gate to some high voltage equipment which is fairly mundane during the day, but holds potential at night because of  its texture and repetition. To get this shot I put the flash on a tripod, angled it slightly behind the figure, and blocked the light from spilling onto the wall camera left by tying one of my smaller cases to the flash.

Ryan-Filgas-darkness-Texture-SLR-650px

Tip 6: Crop!

You don’t have to shoot to the aspect ratio of the camera. Live a little! At first, cropping your photos differently seems a little strange. Why would you take away from the photo? Sometimes a subject just doesn’t work as well in a 2×3 aspect ratio. Want a photo that’s dynamic? Stitch a few shots together in Photoshop and crop at 1×5! Why not a square? Here’s one of my recent favorites.

Ryan_Filgas_Fern_Headwaters__Square_SLR_1400px

Tip 7: Print Your Photos & Have A Backup Plan

This can’t be stressed enough, but computers aren’t infallible, and printing photos is why we take them in the first place, is it not? There are hard drive failures, computer crashes, accidental deletions, etc. Also, wait to buy that next lens and pick up two or three external hard drives for backup; keep one off site. The memories and moments contained in your computer are far more valuable than any new lens. This is a lesson nobody should learn the hard way.

[RELATED: WEDDING PHOTOGRAPHER’S LAPTOP STOLEN, LOSES OVER 2,000 CLIENT IMAGES]

Tip 8: Take A Workshop Or Class

Finding a good workshop can separate you from other photographers in the course of a couple days or a couple weeks. You only need to find a good one that’s relevant to your field of study in photography. This can be as simple as Google searching “photography workshops” in your region. They’ll either be concentrated on a specific subject, or something that gives you the tools and pushes you to perform on an open ended assignment, but both are equally valuable. If you’re like many of our readers and specialize in portraiture, you may be interested in our Natural Light Couples Photography Workshop.  Click here for more details.

Natural Light Couples Engagement Photography

Tip 9: Listen to Interviews

There are plenty of opportunities to take advantage of if you’re serious about photography. Check with local universities periodically and they occasionally will have guest artists and photographers come to talk free of charge if you’d like to attend. It’s their way of giving back for all of the mentors before them, and it’s invaluable. If you’re a student, don’t be afraid to organize speaking events with your school and local photographers; it never hurts to ask. If you don’t mind listening, a good series of photography podcasts is called The Candid Frame, which interviews successful, industry leading photographers to see how they work, and where their experiences have taken them.

 Tip 10: Attend Artist Talks

A favorite conference of mine to attend is held in eight different regions of the United States by the Society for Photographic Education, or SPE. It’s usually a three day event in which different artists are invited to speak, and you get to talk with other photographers in the industry who attend as well. In addition, these tickets include your choice of classes to learn different aspects of marketing, Photoshop, design, etc. Tickets are made more affordable for students, and the conference is well worth attending, more-so if you can take the opportunity to do some networking. SPE’s website can be found here.

Final Thoughts

Being a photographer takes more time and money than one would expect, but if I can impart any advice beyond never giving up, it’s this: If you have a basic DSLR already, spend your money on knowledge and experience before you drop a few grand on a fancy camera. Cameras come and go, they lose value, but the knowledge, experience, and networking you’ll get from a workshop or conference follows you through an entire career and will prove more valuable than any piece of equipment. Lastly, ask. Ask questions, ask for a job, ask for feedback, ask for collaboration, and learn to ask better. If you don’t ask, the answer is always no.

Feel free to leave input and suggestions in the comments for any add-ons to this, or future topics you’d like covered.

-Ryan

CREDITS: All photographs by Ryan Filgas are copyrighted and have been used with permission for SLR Lounge. Do not copy, modify or re-post this article or images without express permission from SLR Lounge and the artist.

 

About

Ryan Filgas is an aspiring portrait photographer and studio arts major at Humboldt State University. His life consists of talking with friends, taking classes, and planning his next outdoor adventure. You can find his work on his website, Facebook, Google+, or connect with him via email.

Q&A Discussions

Please or register to post a comment.

  1. Gabriela E

    For Fashion or Portrait photography, good communication with your makeup artist is important and will get you professional results. I recommend this e-book: http://www.amazon.ca/Work-Makeup-Artist-Natalia-Zurawska-ebook/dp/B00EOGH4PA/
    :)

    | |
  2. Basit Zargar

    nice article

    | |
  3. Phil Bautista

    Go on photo walks and join camera clubs. And don’t just go there to learn. Teach your craft and socialize with your fellw photographers. Many of them are amateurs just looking to improve their hobby and any help you give them would be appreciated. And, who knows, an event may pop up and they remember how nice you were to them or how impressed they are with your work and they hire you to shoot it.

    | |
  4. Rich Taylor

    Loved it! Thank you.

    | |
  5. Gonzalo Broto

    These are very helpful advices, Ryan, thanks for sharing, specially since the pictures illustrating your points are really powerful! I’m also starting in this fascinating word and I realize that, no matter what, you must shoot for yourself first and foremost, and always enjoy what you are doing, otherwise the creative part becomes more like an automated task and most of the joy vanishes. At least that’s how I see it.
    I also agree with the idea of series rather than single pictures, here you can see my last collection, taken at a beautiful, tiny island of Thailand: http://gonzalobroto.blogspot.com/2014/08/koh-mak-tranquil-island.html

    | |
    • Ryan Filgas

      Thanks Gonzalo! That’s a good point. We choose to be photographers because we enjoy it, or else have some other cause, and being paid for doing what we’re passionate about seems like a dream despite the hardships we’ll face by doing so. Creativity is important to keeping that dream alive, and we should certainly remind ourselves constantly why we started. It certainly wasn’t to get rich.

      | |
  6. Tara Ruby

    Great article. I would add to not be afraid to volunteer. Volunteering your photography services gives you a chance to improve without the stress of delivering based on payment. :)

    | |
    • Ryan Filgas

      Hi Tara! Yes & no. I think there’s a time and place to work for free (charities, possibly internships, work-trade, practicing on friends), but I also think working for free can hurt the photography industry in some cases, perhaps even prevent another photographer from paying their rent (multiply that by thousands of people doing the same). Even if you do the shooting part “for free”, you could still charge for the finished images if your client wants them. I completely understand what you said though, I just wouldn’t like people undervaluing themselves, or harming others in the industry. :)

      | |
    • Ryan Filgas

      And thanks! It’s a good tip, just one to be careful with. I’ve done my fair share of free shoots as well, it’s a really good place to start.

      | |
    • Rafael Steffen

      I agree. In the beginning for your work to be known and appreciated, you need to show the results that you are capable off.

      | |
    • Rafael Steffen

      Creating a routine plan with exercises to practice is a great way to improve. Reading books are great, but the practical experience is what pays off in the end.

      | |
  7. Matthew Gruber

    There are some good tips in here for all levels of photographing experience! Nice refreshing article.

    | |
  8. Nick Auskeur

    Great article.

    | |
  9. Aidyn Chen

    a valuable article!

    | |
  10. Paul Blacklock

    Very good and valuable tips in the article.

    Keep them coming!

    Cheers
    Paul

    | |