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Gear & Apps

5 Tiffen ND Filters For Every Price Point

By Shivani Reddy on August 26th 2016

Between filming Lighting 101 & Lighting 201, we got our hands on a set of Tiffen ND Filters that were actually on par in terms of quality, if not better at every single price point. Later when we got in touch with the people at Tiffen they mentioned that their filters were the Hollywood DP (Director of Photography) filter of choice, receiving the Scientific and Technical Achievement Academy Award in 2014.


When searching for ND filters, optical quality should be the first characteristic on your list to consider. Remember that we’re using NDs to cut down the amount of light in a scene so that you can get to your sync speed since certain issues, such as a reduction of power anywhere between 4-7 stops of light, can arise when using high-speed sync on a full feature flash. We are going to give you our 5 recommendations for ND filters at various price points, breaking down exactly why we prefer one over the other, starting from entry level to professional ND filters.

1. Entry Level – Tiffen Standard: $50 range


A standard 77mm 4-stop ND filter starting at around $50 bucks is pretty hard to compete with. Although there is a slight green tint to the glass, expected with it being on the inexpensive side, the images produced are professional quality and can be easily modified in post to correct for the tint. Keep this in mind going forward as you make your decision on which ND to purchase because the color of the filter & optical quality are the two factors that will influence your price point.

2. Professional Starter – Tiffen Water White: $100-140

You can buy these fit to a specific thread size and use adapter rings if you need to, or you can buy them at the 100 mm by 100 mm variant. It is 1.2 to 1.5 (4-5 stops) depending on the filter thread size and will cost you anywhere between $100 to $140. With perfectly clear quality and lucid water white glass, this is a great tool for your kit if you are starting out professionally.


3. Ultra-High Performance – Tiffen Water White + IR: $110-180

Now, on a 5 stop ND filter, an infrared reduction doesn’t make a huge difference, but when it comes to a 10 stop filter, that’s when you will see a significant change in IR. Whenever you’re extending the shutter speed and you’re drawing in a lot of daylight, you start getting infrared influence over the image quality, and the image will start to turn red. IR is going to reduce the red hues and maintain the purest form of color in the scene. Overall, the water white series prove to be a great balance between price and performance. Hollywood DP’s use this and the option above to reproduce colors almost identically to what they see in a scene.

4. Long Exposure Filters – Tiffen XLE Series: $50 – $225


These filters are designed for extremely long exposures that are come at a 10 stop range. Featuring Tiffen’s Academy Award winning infrared reduction technology. For the most part when you’re using flash and shooting portraits, 10 stops is a bit much and therefore it only serves value for landscape based photographers. Depending on the version you get, the XLE will cost you anywhere from $50-$225 offering different variants and performance at every level.

5. Ultra-High Performance with HT – Tiffen Digital High Transmission: $130-$150


Although it’s silver, the Tiffen Digital HT comes in first as it surpasses its competition in terms of color reproduction and detail & sharpness. It features a double-coated titanium multi-coat that ensures the durability of the filter over time, proving to be more scratch resistant. Don’t compromise optical quality by letting price point deter you.

[REWIND: Creating Bright & Airy Pastel Filmic Images in Lightroom]

Find more of our recommendations for lighting gear, modifiers, and accessories in our Lighting 101 & Lighting 201 courses in the SLR Lounge Store. Sign up for SLR Lounge Premium membership to stream both workshops now!

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Shivani wants to live in a world where laughter is the cure to pretty much everything. Since she can’t claim “Serial Bingewatcher” as an occupation, she’ll settle for wedding/portrait photographer at Lin and Jirsa & marketing coordinator here at SLR Lounge. For those rare moments when you won’t find a camera in her hand, she will be dancing, eating a donut, or most likely watching Seinfeld.

Follow her on Instagram: @shivalry_inc

Q&A Discussions

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  1. Sergiu Gota

    Hi slr team :)

    Could you please advise if you recommend the  

    Tiffen 82mm Variable Neutral Density Filter? 

     For me having a variable ND filter is a big step ahead but I don’t want to compromise on the optics.

    Thank you and looking forward to  your reply.

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  2. Nate Castner

    This article would really benefit from some example images using each filter.

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    • adam sanford

      THIS is how you advertise filters:

      Look at the first four examples and mouse over them. That is how you do it. Also, they have stellar videos both on products and on usage considerations from pros.

      Tiffen might be a lower cost solution than Lee, but even a small investment in basic 101 marketing of their product would do them wonders.

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    • Pye Jirsa

      Tiffen = not so good at marketing ;) good products tho, in general, haha

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  3. adam sanford

    Does anyone actually use an ND Grad that is locked to the lens like that? Strikes me a horrifically constraining to how you frame things.

    In other words, ND grads need to be decoupled from the lens to able to move the horizon level up or down, right?

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    • Pye Jirsa

      Yes, ideally using an ND grad should be done with a matte box to make adjustments, ND grads that screw on to the filter thread on the lenses limit composition.

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    • Gurmit Saini

      Hi Pye have seen you using 100mm x 100 MM. square nd in Lighting 201, can you post a link from where I can buy them if that is possible. Thanks.

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