6 Must-Have Lenses for Wedding Photography


Wedding photography is a unique combination of every type of photography. Fashion and portrait photography, architectural photography, product photography, macro photography, family and children photography, and sometimes even travel photography are all included under the required knowledge umbrella of wedding photography.

In order to deliver a complete wedding photography product, you’re going to need lenses that allow you to capture each of these aspects with artistry and creativity. In a perfect world, we’d have the finances and manpower to haul every available lens to the venue; but in reality, we’re limited to a handful of accessible, high-quality, and versatile lenses.

Here is a subjective list of 6 must have lenses for any given wedding. It should be noted that we, the authors of this article, have a bias for shooting wide open (low apertures) in most situations. Also, we list Canon lenses, as the authors of this article shoot with 5D Mark II’s, but each lens listed should have an equivalent for every other brand name DSLR producer.

6 Must-Have Lenses for Wedding Photography

1. 70-200mm f/2.8L Zoom Lens 6 Must Have Lenses for Wedding Photography

This is my favorite lenses. It creates a beautiful bokeh (blur) at f2.8, and the compression you get when you’re zoomed in from 150-200mm gives your image a look that’s hard to achieve with any other lens. It also allows you to get in close on the moment without disrupting the moment, such as the following image:
capri laguna inn laguna beach 561x374 6 Must Have Lenses for Wedding Photography

It also allows you to capture candids, from the tears at a wedding ceremony (pictured below) to the laughs at a wedding reception.
via cabrillo marina doubletree san pedro 561x374 6 Must Have Lenses for Wedding Photography

2. 50mm f1.4 Lens 6 Must Have Lenses for Wedding Photography

This is another one of my favorite lenses. It can save the day when the light starts to drop and allow you to bring out the backgrounds. It also, makes you less reliant on your flash, creating a softer, more natural look for your subjects, as illustrated in the following outdoor dance floor picture.
23 party orella ranch wedding photography 561x374 6 Must Have Lenses for Wedding Photography

The 50mm also allows you to create stunning portraits, as the low aperture creates the shallow depth of field that makes your subject pop off the page and softens your subject’s skin.
via cabrillo marina doubletree bride 1 561x374 6 Must Have Lenses for Wedding Photography

3. 24-70mm f/2.8L USM 6 Must Have Lenses for Wedding Photography

This is a critical lens for smaller spaces. For example, a tea ceremony in a Chinese wedding is commonly held in a living room. The 70-200 would be too close for this situation, and the 50mm would not provide enough versatility, as you typically don’t have too much room for movement.
el monte wedding photography tea 561x374 6 Must Have Lenses for Wedding Photography

4. 100mm f/2.8 Macro USM Lens for Canon SLR Cameras 6 Must Have Lenses for Wedding Photography

If your bride and groom are spending thousands of dollars on the details of a wedding, they are sure to appreciate you capturing the event in detail. With the 100mm Macro, you can capture detailed shots with the same quality and detail as product advertisements in magazines. Add in your touch of lighting and creativity, and you get ring shots like the one below.
capri laguna inn wedding photography details 2 561x374 6 Must Have Lenses for Wedding Photography

5. 15mm f/2.8 Fisheye 6 Must Have Lenses for Wedding Photography (Note: This is for full-frame sensors. For crop frame, research 8mm or 10mm fisheyes)

The fisheye is important for capturing the moment with a unique perspective. This perspective pulls everything from the edges into the center and creates a surreal, ultra-wide view of a venue or ceremony site, as pictured below.
bl turnip rose costa mesa wedding photography 0044 561x374 6 Must Have Lenses for Wedding Photography

Using the fisheye to capture dance floor shoots at a reception or, for example, an Indian Baraat (as pictured below) creates a interesting and exciting image, as the distortion on the edges focuses your attention on the subjects in the middle, yet the composition of the frame still allows you to see the smiles and emotion of the crowd.
4 baraat indian wedding 561x374 6 Must Have Lenses for Wedding Photography

6. 16-35mm f/2.8L II USM Ultra Wide Angle Zoom Lens 6 Must Have Lenses for Wedding Photography

Sometimes the 24-70mm lens just isn’t wide enough to capture everything you want. The ultra wide angle helps you capture your surroundings, such as this shot of our wedding party in the streets of San Francisco.
marines memorial hotel san francisco1 561x374 6 Must Have Lenses for Wedding Photography

Venue and landscape shots are also a great addition to your wedding day coverage, as it sets the scene for the day and allows you to take full advantage of amazing scenery.
santa barbara elings park1 561x374 6 Must Have Lenses for Wedding Photography

Honorable Mentions:
1. 85mm f1.2L II USM 6 Must Have Lenses for Wedding Photography
This is a great lens, but not a necessity if you’re happy with the results from your 70-200mm.
2. 24-105mm f/4 L Lens 6 Must Have Lenses for Wedding Photography
The major advantage of this lens is its versatility. But, as stated before, we are partial to lower apertures, and sometimes the f/4 just isn’t fast enough, nor does it create our desired bokeh.

I hope you enjoyed this article, if so, please share the love and feel free to comment and add additional insight below!

By: Lin and Jirsa Wedding Photography, Los Angeles and Orange County Wedding Photographers

_______________________________________________________________________________
If you’ve found this article informative, please consider donating below:

pixel 6 Must Have Lenses for Wedding Photography

_______________________________________________________________________________

Like this post? Share it!

  • Tweet
  • Facebook
  • Diggit
  • Delicious
  • Diggit
  • Diggit

  • olivier

    85L is not great … it’s magical…
    135L should be mentionned … much sharper than the 70-200f2.8

    but for me the number one lens is the 35L….35mm is just perfect, so close to natural vision and at 1.4 beeing abble to isolate a subject with the narrow dof with a wide angle lens is amazing

  • http://theweddingprofessionals.blogspot.com/ Michael

    Great short article on wedding lens recommendation.
    I would tend to agree with most suggestions, however,
    in my opinion the Cann 85 1.2L is just too slow for
    weddings, you miss 90% of the shots. It’s great to
    impress people with, but the 85 1.8 is far more
    practical and gives you a far higher keeper rate.
    And it can double duty for the telescopic compression
    effect of the 70-200 2.8 with a far faster aperture.
    The 70-200 2.8 is a brick to carry around during an
    8 hour plus all day wedding event. Just my thoughts.

  • Dana Goodson

    I’m a Nikon shooter so I’ll have to mention the 14-24 2.8. It’s costly but I opted for this instead of a fisheye to use on my D700. It’s incredibly sharp and I don’t have to worry about any edge distortion. I love that I’m able to get some pretty dramatic images due to how wide it is.
    Thanks for the article. Very informative. :o)

  • http://www.jonphillipsphoto.com Jon Phillips

    I recently added a 200mm f/2.8 L series to my arsenal. I found that when I was using a 70-200, I was always shooting at 200.

  • http://www.xsightn.com Xsightn

    Nice article though all Nikon, we get the picture
    I have to agree with Goodson, the 14-24 2.8 is a great addition for Nikon shooters. Yet to get one though but am working towards it

  • http://www.mikemurrowphotography.com mike

    Ten? Ten lenses? Non sense. I shoot with a 17mm, 50mm and 180mm. 90% of my images are with the 50.

  • http://blue-hour.deviantart.com Scotty

    Great! Now all I need is $7,000 and I’ll be a successful wedding photog! Dx

  • http://www.brandonworf.com/photography/ Brandon

    In my experience, the 70-200 is great, but doesn’t work well in small chapels, as it just can’t back out far enough. The 24-70 is ideal, but the 24-105 is far more versatile in situations where a little extra zoom compression is necessary.

  • Samantha

    Scotty, I think most successful wedding photogs would say it takes so much more than just lenses, cameras, and equipment to be good at what you do.

    And Mike, I also think everyone has their own style of shooting. Some of my best weddings were shot on only 3 lenses (16-35mm, 50mm, and 70-200mm). But, I would definitely have to agree with the authors picks on these lenses.

    The lenses listed are quite standard and staple lenses. Though I would have to say I hate shooting on the 24-70mm. I would rather use a wide and a 50mm prime to cover that range. I don’t really like the look and feel of the bokeh on the 24-70mm, I feel like everything comes out looking too standard.

    I would have to say that anyone that doesn’t think a fisheye is an amazing lens, hasn’t shot enough weddings =). It creates some of the coolest effects for wide angle shots and dance floor shots.

    Here are my favorites (in order):
    1) 70-200mm F2.8 IS
    2) 50mm F1.4
    3) 16-35mm F2.8
    4) 15mm F2.8 fisheye
    5) 100mm F2.8 macro
    6) 24mm F1.4

    The 50mm F1.2 is nice, but I find that it’s impossible to shoot anything moving at F1.2, and around F1.8+ I can’t really tell the difference between the 50mm F1.4. So, might as well stick with the cheaper lens.

    Kudos to the author, loved the article.

  • http://www.linandjirsa.com Pye

    Brandon, I would have to agree that I love the additional range on the 24-105mm. But, to be honest, we bought one to try out, then ended up selling it because it simply just wasn’t fast enough in low light, and it seems like we are always shooting low light. Do you typically use your 24-105mm during the day or in well lit areas? I am curious, what would be your 5 or 6 staple lenses?

  • http://www.monjardimnoleto.com.br Lorena Monjardim

    70-200 2.8 L IS is definetly my baby!!

    I love my 50 mm L 1.2 but it is an artistic extra equipment in my pack.

    My 24-70 2.8 L is used only in small rooms or where 70-200 is impossible to use.
    (my hus uses it more than i do)

    I agree with the authors about large apertures..

    Nice article!

    2.8 is my smallest choice!

  • John Donnelly

    Been a while since I’ve used my film camera. I have a fantastic 35-200 that covers mostly everything. I have a 28mm wide angle and a 500mm fixed for anything else. Enjoyed your article, some really great pics!

  • http://martinskikulis.com Martins Kikulis Photography

    For me the best wedding lens ever is Nikon’s 14-24 f/2.8! Sometimes I shoot all wedding from start till end just with that one lens. That’s how much I love it!

  • http://www.igorklajo.de Igor Klajo

    Thanks for this small lens roundup to have at weddings. I think this is the lens collection you should have now only for weddings, but for all kinda events. I myself just started to get the real stuff together, have the 70-200mm f/4L. I had to get something better than I had before and I couldn’t wait got get enough money for the f/2.8 version. Now I see I should have waited because I often take photos in low light condition where a flash is unwanted.
    My next lens on the buy list is the 50mm f1.4 and then the 24-70mm f2.8. These three lenses are enough to do the important thing done. Like stated here, with a fisheye and a wide angle zoom lens you can have some photos with the special touch, so these two lenses will be one day mine as well ( I hope ).

  • http://www.jhgibsonphotography.com HurleyG

    Quite a good article. I believe you’ve got your choices right on. I used to use a 70-200mm f/2.8 for every wedding I shot, but for the last two I used my 85mm f/1.8 and the results were surprising. I’ve always heard that prime lenses are the best way to go, and I’ve definitely got to agree. Very nice article. Thank you.

  • http://brittonphoto.com Britton

    Good choices with the exception of the 50f/1.4 . That lens is poor at focusing in low lighting conditions. The 35f/1.4 is the one to get.

  • http://www.cdeschampsphotography.com Cathy

    Great article. I tend to rely on my 24-70 f2.8 for a lot of the work. I like the 70-200 VRII for the close ups, placing of the rings etc. I’ve been able to get some great shots with a 50mm and pro mist filter for bride portraits.

  • http://www.designerdigitals.com/digital-scrapbooking/community/photography-connection/21921-6-must-have-lenses-wedding-photography.html#post277824 6 Must-Have Lenses for Wedding Photography – Digital Scrapbooking Community – DesignerDigitals

    [...] Must-Have Lenses for Wedding Photography 6 Must-Have Lenses for Wedding Photography __________________ my Site and Blog Nikon Shooter Member NAPP, [...]

  • http://www.vulephotography.com Vu

    You got quite a list there. For the most part, we have similar taste. Have you tried the 35L & 135L as a combo though? Beside having most of the lens you mentioned w/ me on my last assignment, I found myself shooting w/ the 35 & 135 80% of the time.

  • http://www.nigerianweddingphotographers.com/ Dare

    35L & 135L will help you a lot in weddings

  • http://www.deirdreryan.com Deirdre Ryan

    I have a 90mm Macro 2.8 Tamron and a 11-18mm 5.6 Tamron Canon mounts and a 18-135mm Canon lenses. I learn to work with what I have. My goal is to get the 70-200 Canon and the 50 1.4 Canon. However since the earthquake who knows when the prices will go down and the availability :(

  • Anonymous

    You write amazing article ,You capture nice wedding photographs.I use 24-70mm  f2.8 lens for capture wedding photographs.Thanks for sharing information.
    wedding photographers bristol

  • Arkadi

    I don’t like 70-200.. it is bulky. I think everything is a question of equilibrium.. I don’t wanna run around loaded with equipment. I keep one body at hands, 16-35 for any case, 35 1.4 60% of time, 85 1.2 30% of time. I live macro lens and fish-eye in a trolley. You can see the results  http://www.fotoarcadia.com
    I think there could be drawn a line between those who use tele and those who use 35sh lenses. I think the last breed of fols love more people and love being inside of action.

  • 1picture=1000 words

    I just entered the Wedding photography business, last engagment i used a 18-55 EF-S lens, my pictures keep out pretty good but these six lens just makes it 100 times better. Great work and great article, Good luck in being unique in your way.

RELATED ARTICLES


  1. Techniques – Concert Photography Tips
  2. Canon Rumors Update – mk2 L lenses in 2012! – Cameratalk w/ Matthew Saville
  3. 10 Wedding Ring Macro Photography Tips
  4. Choosing Images to Deliver to Wedding Photography Clients
  5. Business – The Wedding Photography Market Size (Estimating The Number of Wedding Photographers in the United States)

Write Photography Tips


SLR Lounge is a resource for photography tutorials, photo news, camera reviews and more. We're in search of writers to cover a range of topics. Click to learn more about our jobs.

SUBSCRIPTIONS


Polls


What Type of Photographer Are You?

View Results

Loading ... Loading ...