“What camera should I get?” is one of those fundamental questions that, at some point, we all ask. Whether you’re an amateur looking to purchase your first, or a professional looking to add to your arsenal, this question will inevitably rear its ugly head. In this article, I’ll be covering one of the key measurements we all use when deciding which camera to purchase:

How many megapixels do I need? ‘Need’, being the operative word.

Within any marketplace, manufacturers have to find a way to differentiate themselves from the competition. As such, it’s understandable that headline figures, like megapixels, become key selling points. After all, for the average consumer, megapixels sound far better than high ISO performance.

How Many Megapixels Do You Need To Print At…

Printing at 300 DPI is considered the gold standard for print quality. Yes, it is possible to print with a higher DPI, but 300 is more than adequate for most of us. Having heard that 300 DPI is the “gold standard” many photographers (I have also been guilty of this) think that every print has to be 300 DPI. If that were the case, the maximum print size of a 50.6 megapixel Canon 5DSR would be roughly 29 inches on the long edge. And, a 100-megapixel Hasselblad H6D-100c would max out at roughly 39 inches. So, how on earth can you print something at billboard size?

I don’t want to delve into this aspect of the megapixel argument too heavily as it’s been covered in countless articles by people far more technical than myself, but if you want to learn more about maximum print sizes, check out the two articles linked below. For our purposes, all you really need to know is that a camera with a 24-megapixel sensor could print billboard size. Yup, that’s right, billboard size. So, if your argument for purchasing a high-megapixel camera is to print large, you’re wasting your money.



More Megapixels Does Not Necessarily Equal More Detail

Now that one major myth has been busted, lets smash a few others. In the video above, Pye talks about some of the many factors that can affect ‘perceived image sharpness’; noise, lens quality, viewing distance and so on. If your sole desire is to print large, ultra-sharp images, then it won’t matter how many megapixels your camera has if the lens you put on it cannot resolve the potential detail (an argument can be made here, however, that modern good lenses can out-resolve properly paired sensors). The same can be said if you were forced to shoot at a high ISO and your camera does not cope well in those situations. The point here is, there are many other factors which must be considered, and megapixels are not the be all and end all.

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teenager sits on fallen tree in park during autumn. image used as an example of the megapixels needed for your camera
Photo by Max Bridge Portrait Photographer

When Are High Megapixel Camera’s Useful?

Whether or not a high-megapixel camera will be useful to you comes down to one question: “what do you shoot?”

I shoot a range of things, as many of us do, one of which being family photography. For that, I use a 24 megapixel Nikon D750 and have never felt more megapixels were required, almost. I’m confident the D750 files can be printed at almost any size, but I have, on occasion, desired some more megapixels. Why? Cropping.

One of the biggest advantages to having a high megapixel sensor is the ability to significantly crop your images. With portrait photography, you rarely need to make significant crops. However, there are bound to be a few occasions where that ability will be of use.

a bottle of courvoisier photographed on a dark background. Use as an exmple of megapixels needed for product photography
Photo by Square Mountain Photography

Given everything we’ve learned thus far, I think we can safely say that 99% of photographers out there do not need a high-megapixel camera, especially if we include amateurs. So, who does?

Well, I also create a lot of commercial still-life images. Within this arena, the more megapixels the better, and the same can be said for most commercial photography; fashion, architecture, e-commerce, still life etc. The reason for this comes back to the ability to crop.

If you take a shot of product and want to crop in on one particular detail, a high-megapixel camera will give you that ability. When photographing very small objects like jewelry, you can take advantage of that ability to crop and shoot a little wider. The advantage here is, you won’t have to take quite so many images to focus stack.

The Megapixel War | Summary

For the majority of photographers out there, the megapixel war is a marketing one between manufacturers, and that has little to do with you. A camera with 10-20 megapixels is going to, in most cases, be more than capable of meeting all your needs. You’d be served far better by saving money on your camera and investing in better lenses.

a low angle photo of a bottle of Kronenbourg used to demonstrate the number of megapixels needed for still life photography
Photo by Square Mountain Photography

On the other hand, high-megapixel cameras are exceptionally useful to many, but not all, commercial photographers. Those who need to make significant crops to their images will find the abundance of megapixels a useful tool. Essentially, beyond a certain number of megapixels, that’s what it becomes. A tool. A tool which is useless to most but indispensable to others. Don’t let the megapixel hype fool you into purchasing a camera you don’t need.


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