Imagine how many moments you would miss if your flash recycled slowly and did not fire consistently. And even if…

The Canon E1 – Hand strap is designed to help prevent camera drops and provide additional support and stabilization. It…

Direct Flash can ruin a perfect scene. It can make your subject look like a deer caught in the headlights,…

During the Baraat, the marriage procession of a Hindi wedding, the groom and his family travel to the bride’s home,…

Mormon wedding ceremonies are one of the few ceremonies that do not allow photographs or video during the actual ceremony….

During the transient moments of a wedding ceremony, a million thoughts are running through a photographer’s head, whether it is…

Shot at Victoria Beach in Laguna Beach, CA with a Canon EOS 5D Mark II with a 17-40mm f/4L at…

Online printing and proofing comprise the second half of your clients’ experience with your studio (with the actual photography time…

Shot at the Third Street Promenade in Santa Monica, CA on a Canon 40D with a 24-70mm f/2.8L USM at…

The photojournalist in us never wants to miss the moment, that laugh, that tear, that hug, that kiss. However, the…

As professional photographer, or amateur turning pro, one of the first questions that may come to your mind is probably:…

When it comes to aperture settings in wedding photography, low is almost always the way they go, as we’re often in low light or simply prefer the shallow depth of field.  However, because we sometimes want to achieve specific effects, i.e. clarity in the whole scene when shooting venue shots, motion blur for artistic purposes, etc, we sometimes need to turn up the aperture. But how high should we go and should there be a limit?