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Gear Reviews

Canon 7D Mark II, An Extreme/Adventure & Landscape Photography Review

By Matthew Saville on December 12th 2014


There’s been a lot of commotion about the new Canon 7D Mark II, and how it is the best action sports camera that the market has ever seen below $5,000. After reading the reviews, I’m inclined to agree!  Flagship sports camera performance for $1800?  Yes, please!

(Click here for PT1 of Anthony Thurston’s 7D mk2 review from a sports and wildlife perspective!)

Is the 7D mk2 useful for anything other than action sports and flying birds?

When one of these puppies arrived on my own doorstep though, I went in a different direction.  If you tell me that a camera is good at high ISO, the first thing I think about isn’t a dark sports stadium, or wildlife at dusk.  I think of wedding ceremonies in dimly lit churches, and I think of landscape astrophotography in the wilderness.

So, why would I buy a 10 FPS, semi-pro action camera to use for slow-paced, un-demanding landscapes and general portraiture?


Mainly because the landscape photography conditions I find myself in aren’t as traditional and boring as you’d think.  (And to some extent, the same goes for my wedding photo style too). I like to shoot my landscapes in extreme weather conditions, so weather sealed cameras and robust construction are a good thing.  Then again, I like to backpack many miles to get to where I’m going to shoot, so a full-sized flagship isn’t really a good option either. I also like to shoot astro-landscapes, or landscape astrophotography, which involve shooting landscapes in basically the worst possible conditions: at wide-open apertures and very high ISOs. So it’s no longer just about setting any ol’ camera on a tripod, hitting a sharp aperture at a low ISO, and going for it.  It’s a relatively demanding environment for any camera to be in, and many of the cameras in the 7D mk2’s price range are lacking some of the features it offers.

There’s also one more thing that makes a huge difference to me: professional controls and customizations.  I’ve been a little spoiled over the years by having access to pretty much every pro and flagship camera on the market, and for those of you who have yet to graduate from your 70D or D7000, let me tell you that even though the image quality and overall build quality is indeed awesome on beginner cameras today, there is a huge difference in the functionality and customizability of a pro-oriented camera.  Simply put, it’s a huge collection of small details about a camera that individually don’t amount to a deal-breaker, but collectively they really start to matter.

18canon-7d-mk2-reviewSwitches and dials (and customizable buttons!) are a serious photographer’s best friend!



7D mk2 for NightScapes and Timelapse Photography

With that in mind, I’m very excited to report on the 7D Mark II‘s fantastic performance, and exciting new features, for those of you outdoorsy, adventurous folks who are looking for an innovative camera that lets them push the envelope as far as they want. (Despite it being grey and star-less here in my hometown for almost the entire time I had the 7D Mark II. Go figure!)

03canon-7d-mk2-review-astro-landscapes7D Mark II, Canon 18-55 EF-S STM, FotoPro C5C tripod
240 sec. @ f/5.6 & ISO 100

Pros / Highlights

Built-in Intervalometer
This is probably the most mainstream of the new features that I’m excited about on the 7D Mark II; a lot of people are getting into timelapse photography these days. It’s a feature that Nikon DSLRs have had for many years now, but it’s highly welcome either way.  In fact, Canon’s implementation of this feature is kinda cool, compared to other cameras, because it offers an “infinity” setting so it will just keep clicking pictures until the camera dies or the memory card fills up. Bravo, Canon!

Programmable Bulb Exposure
This is huge for any landscape photographer who has ever stuck around after sunset very long.  Most cameras’ slowest shutter speed is 30 seconds, and if you’re shooting after sunset at ISO 100 and f/11 or so, you can bump up against this limit in just a few minutes.  Before, you’d have to use an external trigger and time your exposure using a stopwatch if you wanted to create a 1-minute or 2-minute exposure.  (Or, hold your finger on your shutter for that long, if you like blurry images…) Now, you can program your bulb exposures to be precise and automated.

(Unfortunately, these two features are mutually exclusive, so you won’t be able to create timelapses consisting of >30 sec. exposures.)

Zero long exposure noise to at least 30 minutes
This isn’t as exciting since many cameras these days have great long-exposure noise reduction, but I thought I’d mention it nonetheless.  I tested the 7D Mark II‘s long exposure capabilities all the way up to 30 mins, with no discernible noise.  This simply wasn’t possible just a few camera generations ago, even though long exposure noise reduction has been around for a long time.

Another thing to note is that even in warmer conditions, there is no long-exposure noise in the range of 30-60 sec either.  This is another annoyance that an astro-landscape photographer faces – it becomes almost impossible to shoot long exposures on a warm summer night, due to the fact that a warm sensor is a noisy sensor.  Well, I am happy to report that even at around 60-70 degrees, the 7D Mark II‘s long exposures are quite noise-free.

For you camera geeks out there, reports confirm that the 7D Mark II‘s “thermal dark current” is 10X lower than any other Canon DSLR, including recent full-frame cameras. (Click here to check out’s awesome 7D mk2 test page!)

General superb performance and feature set
I’ll just clump everything else into this last category, as it pertains to adventure photography, astro-landscape photography, etc.  Here goes! The high ISO performance is superb, even better than older full-frame cameras!  The AF and shooting speed are world-class, in fact, they’re the epitome of why DSLRs are still relevant in this age where many casual and serious photographers are jumping to mirrorless.

Also, speaking of reasons to prefer DSLRs, the battery life of the 7D Mark II is amazing, too. From an astro-landscape perspective, I’ll put it this way: The 7D Mark II can shoot just over 3 hours of continuous timelapse exposure on a single battery charge. This is quite a feat for a digital camera.

Lastly, as I hinted at earlier, the overall control layout is “flagship style,” which makes a huge difference for experienced shooters. I can adjust my ISO with my right hand, without taking my eye from the viewfinder.  I can instantly zoom to 100% during image playback using the SET button, instead of the silly “zoom, zoom, zoom, scroll, scroll, scroll” situation. The dual command dials are nice, even though I prefer Nikon’s arrangement of command dials.  The dedicated joy-button for Af point control is awesome. And of course, the body is magnesium-alloy and weather-sealed, yet lighter than say, a Canon 5D Mark III.


20canon-7d-mk2-review 21canon-7d-mk2-review


Dynamic range is still Canon’s status quo
DXOmark clocks the 7D MarkII’s dynamic range at the “usual” 11.8 EVs, a number that hasn’t fluctuated very much in about 10 years. (The 1D mk2 from 2004 clocks in at 11.1 EVs)  But that’s on paper.  In the real world, I’m happy to report that the 7D Mark II‘s dynamic range will leave nothing to be desired for most photographers. Only the most high-contrast scenes will force you to start bracketing, situations in which any normal person would be inclined to bracket anyways. Oh, and as usual, highlight recovery is incredible, much more impressive than any other brand of sensor that I’ve seen.

No articulated LCD screen
I know some elitist folks will shake their head in disgust at me, but in my experience, “pushing the envelope” with my landscape photography has absolutely inclined me to appreciate the ease with which I can now create extreme angle shots. Sometimes when I am creating an astro-landscape or astro-timelapse sequence, I want to use my “monster” tripod, the one that goes so high I’d need a step-ladder to see through the viewfinder.  Other times (more often), I find myself shooting at extreme low angles where the back of my camera is right up against a rock, a branch, etc. Simply put, it may not be a feature that a traditional action sports or portrait / wedding photographer might deem necessary, but those who do unusual or extreme things would have appreciated it.

05canon-7d-mk2-review-astro-landscapes7D Mark II, Canon 18-55mm EF-S STM, FotoPro C5i Tripod, 3-stop ND filter
1.3 sec @ f/10 & ISO 100



Despite conditions being seriously overcast every single time I took the 7D Mark II out for a spin, I was able to sufficiently test the long exposure and timelapse capabilities of the camera, and I’m really excited to see what people can do with this camera in the coming years.  I hope it finds its way into many adventure photographers’ bags, whether it’s for the frame rate to photograph downhill mountain bikers in the mud, skiers in the snow, or the Milky Way in the middle of the desert.  If you’re into anything extreme or adventurous, the Canon 7D Mark II is one of the best options available!

Canon Sensor Dynamic Range – Blown Out Of Proportion?

06canon-7d-mk2-review-astro-landscapes7D Mark II, Canon 18-55 EF-S STM, FotoPro C5i Tripod
1/2 sec for highlights and 1 sec for shadows @ f/9 & ISO 100

I have been relentless in shaming Canon for being “so far” behind Nikon and other sensors when it comes to dynamic range.  Namely, shadow recovery just isn’t there when it comes to Canon’s in-home sensor designs.  The 7D Mark II is Canon status quo, and its dynamic range trails a full two stops behind even Nikon’s lowliest beginner DSLRs.

But how bad is it, really?  Not that bad, not for most photographers.  You have to be pretty crazy and envelope-pushing in order to see a real difference.  And even then, when you do bump up against the limits of what a Canon sensor can offer, the solution is usually just one extra click (of the camera, and then a handful more in PS) away.

Here’s a 100% crop of the above image, which is a combination of two different exposures.  As you can see, the difference in the shadows and highlights isn’t that bad, both images come pretty close to handling the entire dynamic range perfectly.

canon-7d-mk2-review-dynamic-range-shadows canon-7d-mk2-review-dynamic-range-highlights

True, these exposures are only one stop apart from each other, but the point is that neither of them are that bad or un-usable, and they can be blended together in Photoshop in literally under 60 seconds.

Then, there’s the fact that most people who do think they need all kinds of dynamic range are often over-doing it, digging into shadows that actually might look more artful if they were dark and moody in the first place.  Seriously, whatever happened to silhouettes, to faint detail in a shadow?


16canon-7d-mk2-review-astro-landscapes 17canon-7d-mk2-review-astro-landscapes

Alternatives to the 7D mk2

What else is out there, that might compete with the Canon 7D Mark II? There really isn’t much, if you consider everything.

If you’re more focused on action sports, the Samsung NX1 has FPS and a lot of mirrorless bells & whistles going for it, but will be a letdown for anyone accustomed to Canon’s flagship AF.

If you’re more focused on travel and landscapes, the Sony A6000 is an awesome adventure / landscape camera that is extremely compact and lightweight, with better dynamic range than the 7D Mark II and a built-in intervalometer (if you buy the app), as well as allegedly the best AF of any mirrorless camera. However, it lacks weather sealing, lots of the flagship-style customizations that I prefer, and has a far smaller native lens lineup.

If you’re shopping Nikon, the D7100 competes decently with the 7D Mark II, except for the slower FPS and smaller buffer. Oh, and despite Nikon’s advantage in dynamic range at base ISOs, Canon’s dynamic range is superior at higher ISOs where lots of astro-landscape shooters find themselves much of the time.

All in all, there are a handful of alternatives out there.  However, as long as you consider them carefully, you won’t be disappointed if you decide to go with the 7D Mark II.


All in all, I know I give Canon a hard time for certain things, but there is no denying that this is a formidable camera, and more of a jack-of-all-trades than other sites’ reviews are letting on.

In fact, the 7D Mark II‘s feature set, at its price of just $1800, have really crystallized a thought that has been in my head for a while: Most photographers just don’t need full-frame anymore.  There are plenty of APS-C lenses to cover all the focal lengths and shallow depths that you might desire.  There is practically no difference at all in image quality at most ISOs.  Lastly, for any landscape photographer who might find themselves doing a lot of hiking and lightweight traveling (or shopping on a budget), a Canon 7D Mark II is a far better choice than a Canon 5D Mark III or a Canon 6D. And finally, of course, if you’re into astro-landscapes or timelapse photography, the 7D Mark II‘s new features make it the ultimate tool.

08canon-7d-mk2-review-astro-landscapes 13canon-7d-mk2-review-astro-landscapes canon-7d-mk2-review-astro-landscapes 09canon-7d-mk2-review-astro-landscapes 15canon-7d-mk2-review-astro-landscapes

The New Ultimate Canon Kit

If I were a Canon landscape shooter who was into astrophotography and timelapse photography, there are a few different “ultimate kits” I might consider:

If you have the budget for both formats, a Canon 7D Mark II + Canon 6D would be a fantastic way to get the best of both worlds. Pair that up with a couple EF-S lenses (like the new Canon EF-S 24mm f/2.8 STM, review coming soon!) and a couple L or Rokinon full-frame lenses, and you’re set.

Or, if you only have the budget for a crop-sensor system, pair the 7D Mark II with a couple Canon EF-S STM lenses and a couple Rokinon astro-landscape lenses like the 16mm f/2.0, (review here!) and you’re golden!  Or, for telephoto sports photography, forget those $6,000 monster primes, just get a Canon 70-200 2.8 L IS mk2 with a 1.4x or 2x teleconverter, and you’re covered between ~110mm and 450mm or 600mm, at f/2.8 or f/4!

Stay tuned for our next Canon 7D Mark II review, which will cover its use in wedding and portrait photography!

Take care and happy clicking,

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Matthew Saville is a full-time wedding photographer at Lin & Jirsa Photography, and a senior editor & writer at SLR Lounge.

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Q&A Discussions

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  1. Oleg Hmelnits

    Very interesting article. I’ve gotten Canon 6D with L 24-105/f4 kit and put behind my old 40D with excellent Canon EF-s 17-55/f2.8 and Sigma 50-150/f2.8 OS. I have planned to sell them both but decided to wait for some good crop sensor Canon. I feel 7D Mark II is the solution for me.

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  2. Basit Zargar

    Awesome pictures

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  3. Priscilla Del Valle

    I look forward to all your articles and I am sitting here in desperation waiting for your wedding review on the 7D I am patiently anticipating it.. Just thought Id let you know I am literally dying. Checking SLR Lounge every day MY FRIEND lol

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  4. William Emmett

    I’m working on a project to get a CamRanger to connect to the 7D Mark II. If the transmitter will connect to the USB 3.0 port, home free. I’ll transmit the signal to my tablet. I’ll be able to control the focus, and other things using the tablet. CamRanger also has a tilt, pan auto head. Actually the tablet will be better than the articulated screen.


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  5. Robert Moura

    Canon needs a wake up call as to articulated LCD screen, high end cameras costs so much and still no movable screens, shame

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    • Matthew Saville

      Robert, historically Canon has not been a fan of putting amateurish features on their higher end cameras. Just ask Canon engineers why they have zero full-frame DSLRs with pop-up flashes, even the 6D.

      I try to say this with the least amount of Nikon fanboy attitude possible, but here goes: Canon management is stubborn as hell, and this has always been a turn-off for me, even when their sensors were far superior to Nikon’s. In short, if you want the most features in the most affordable bodies, if you want the best performance from affordable range lenses, …Canon is not the way to go….never has been, and probably never will be.


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    • John Decker

      I think I read that Canon said the lack of articulated screens had to do with weather sealing. It is not easy to make a weather tight camera with them. That said, the Olympus OM-d E-m1 is weather sealed with a flip out screen.

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    • John Decker

      I’m not a sports or wildlife photographer but I immediately started drooling over this camera when I saw the specs and preproduction reviews. The bang for the buck factor is over the top. I shoot weddings, events, portraits and photojournalism and an totally digging this camera for all I do. I sold one of my aging 5d mkiiis (I had two) to get this camera and have absolutely no regrets. High iso performance, huge buffer and outstanding AF were all big selling points for me. Not to mention that when working with a 5d mkiii all of the buttons are in the danger place (for the most part they feel identical). I don’t really care if it has a crop sensor or is ff, for me there are more important things to consider.

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    • William Emmett

      Time for you to look into a Camranger. Just plug it in, let it transmit on its own wifi network to a tablet, or laptop. You can be 100 feet from the camera and be in full control. Put the camera on a pole, or on the ground aiming up and get great shots. Besides, you don’t have to get off your directors chair to take the shots. Oh, and if you have a 10.1 in screen on your tablet that is the size of your live view, not 3.1 as on the camera.

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  6. Herm Tjioe

    NIce read, covering aspects that others have mentioned in passing only.

    It’s becoming harder to hold off on getting this

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  7. Arnold Ziffel

    I just replaced my old 7D with the MkII. I’m very impressed so far. Low light capabilities are markedly improved, actually not far removed from my 5DIII.

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  8. Dre Rolle

    Thank for that extremely detailed review Matthew.

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  9. Barry McDonald

    Well done! Really nice that you approached this with an opened mind.

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  10. jouni rytilahti

    Nice review.

    Allmost all the reviews so far has been saying that this is a great camera IF you are shooting sport, or IF you are shooting wildlife and if you are doing smething else you should buy something else. It has greate this feeling that this is only for sport shooters and do crappy job for portrairs and something like that…landscapes
    I have currently 7D with Tokina 11-16 f2,8, Sigma 18-35 f1,8 and Sigma 50-150 f2,8 OS..

    Im not pro shooter and cannot afford 2 bodies and im happy read review that is saying that this is a great camera for other aerias also, not only sport and wildlife.
    Im waiting for the review about portraits and weddings!! :)

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    • Matthew Saville

      Jouni, that is one kickass system for the APS-C format! Each of those lenses is one of my all-time favorites. I currently still own the 11-16 and 50-150 actually, and use them often! I’ll be mentioning all three of those lenses in my wedding installment of the 7D mk2 review.

      I’d consider the 7D mk2, and this kit of lenses, to be head-to-head with anything full-frame has to offer, regardless of price.

      Like I said, I feel that the latest generation of sensors has proven quite well that full-frame is just no longer necessary for most applications.


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    • Priscilla Del Valle

      Good things come to those who wait. I am waiting to its going to be good. I am stuck between the 7D Mark II and the Nikon D750. I am looking to buy a full frame camera but only shoot a few weddings per year. I can’t wait to read his review. I love his work.

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  11. adam sanford

    Excellent review, Matthew. Many have called this camera a “Crop 1DX without a grip”, and I do not disagree.

    I’m not an astro guy, but the 7D2’s “thermal dark current” caused a number of astro folks to spontaneously have kittens. No one expected that from the same as usual sensor that was onboard.

    100% zoom when reviewing images has been around for about two years on Canon rigs, FYI. I use it all the time on my 5D3, and I believe it has trickled into other bodies as well.

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    • Matthew Saville

      Yes, Canon did first introduce 100% zooming during image playback on the mk3, and it’s since been added to a few others like the 6D, however at least for Nikon, this is one feature that they leave out of the Rebel-like beginner bodies. Maybe this is different for the T7i or whatever nomenclature they’ve racked up in their Rebel series.

      I am still waiting, by the way, for Canon to get image playback truly right. Thus far it is still annoyingly crippled by the inability to zoom in immediately and then scroll from shot to shot without first having to hit the playback button. Then again, they’ve ingeniously designed the SET button zoom customization to work even if the rear LCD is off, so that kinda makes up for it and then some. You can simply leave your rear LCD set to OFF completely, and then tap the SET button any time you want to check focus.

      Nothing beat’s Nikon’s face-detection scrolling at 100% playback, though! That feature revolutionized my wedding photography formals shooting…


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