Goals for Posing Wedding Couples Portraits
What are the specific techniques used to achieve posing goals for men and women so that you can effortlessly place your clients into a pose in seconds?
This excerpt from our latest installment of the Wedding Workshop Series, Photographing the Couple, will teach you all you need to know about posing, lighting, and photographing your wedding couples. Pre-order it now today:
Purchase Page: Photographing the Couple Store Page
Expiration: March 23rd, 2017
Here are some posing goals for men & women to help guide your couples’ poses:
Posing goals for men
- Masculinity: straight back with great posture and an even stance. Placing weight equally on both feet is the foundation for this pose
- Chiseled: if you are using light to shape the body, angle the body to chisel out features so that the shadows mold the face rather flat lighting to reveal more highlights.
- Strength: having a broad, open stance helps men appear to be strong and confident. Watch out – men have the tendency to puff their chest out and lift their chin.
- Power: tilt the chin down and have your subject gaze into the camera to create a more powerful look.
[REWIND: 6 artistic photo effects using tripods]
Techniques for achieving posing goals for men:
- Stronger stances: having equal weight in both legs and placing legs hip distance apart. Have your subject roll his shoulders back to readjust posture.
- Lower angles: photographing subjects from a lower angle asserts dominance.
- Harder light: men can handle harder shadows and brighter highlights so there is no need to diffuse any additional light or place them in shaded areas.
- More shadows: the deeper and more apparent the shadows, the moodier the image. This plays around with the point mentioned above, that men can handle a bit harsher of a light so the increase in shadows isn’t as off-putting to men as it is to females.
Posing goals for women
- Femininity: showcasing a female’s curves by having her sit into one hip more than the other and softly placing hands on the body with no apparent strain or tension.
- Curves: making sure each pose is flattering to her body type and adjusting when needed. Try to keep distance between her arms/elbows and her torso to show the natural curves of her body.
- Approachability: keeping the body relaxed and shoulders down with no tension in the arms (crossing them and folding them across the body for example).
- Softness: light & airy appeal to portraiture using soft natural light or diffused artificial light.
Techniques for achieving posing goals for women:
- Softer stances: keep the weight on the feet light as to not lock the knees and create tension. Have your subject roll her shoulders back and down to create better posture.
- Higher angles: photographing the bride top-down is a flattering vantage point rather than shooting from below (no one wants pictures of what the inside of their nose looks like).
- Softer light: diffusion and window light are your best friends when it comes to bridal portraits.
- Less shadows: harsh light tends to enhance the appearance of blemishes and therefore isn’t the best condition for photographing the bride.
- 1.1 Trailer 1M 1S
- 1.2 Introduction 5M 30S
- 1.3 Eliciting Genuine Emotions From Your Couple
- 1.4 Favorite Lenses Used For 10,000 Couples Portraits 8M 42S
- 1.5 Additional Zoom And Prime Lenses For Couples Portraits
- 1.6 Natural Vs. Dramatic Vs. Creative Lighting
- 1.7 Creative Accessories for Couples Photography
- 1.8 Must Have Lighting & Gear Guide for Couples Photography
- 1.9 Chapter One: Quiz
- 2.1 Goals for Posing Wedding Couples Portraits 2M 0S
- 2.2 Foundation Posing Framework Summary for the Groom
- 2.3 Quick Posing Guide for the Groom
- 2.4 Foundation Posing Framework Summary for the Bride
- 2.5 Quick Posing Guide for the Bride
- 2.6 Foundation Posing Tips and Techniques
- 2.7 Foundation Posing - 5 Minute Client Run-Through
- 2.8 Chapter Two Quiz
- 3.1 Foundation Posing Framework and Body Language
- 3.2 Using Touchpoints For Couples Poses
- 3.3 Head Angles
- 3.4 Body Parts and Their Levels of Intimacy
- 3.5 Three-Point Check
- 3.6 Here's Why Hand Placement Matters When Posing Couples 5M 59S
- 3.7 Simple Finger Positions for Couples Holding Hands
- 3.8 Hip Spacing
- 3.9 Pose Duplication
- 3.10 Eye-to-Eye Contact
- 3.11 Whites of the Eyes and Eye Lines
- 3.12 Four Tips on Communication and Ten Useful Cues
- 3.13 Chapter Three Quiz
- 4.1 Indoor Couples Portraiture
- 4.2 Hotel Room High-Key Portraits
- 4.3 Hotel Room High-Key Portraits (Demo)
- 4.4 Hotel Room High-Key Portraits with a Shoot-Through Reflector
- 4.5 Hotel Room High-Key Veiled Portraits
- 4.6 Hotel Room High-Key Veiled Portraits (Demo)
- 4.7 Hotel Room Directional Light and Simple Backgrounds
- 4.8 Hotel Room Directional Light and Simple Backgrounds (Demo)
- 4.9 Hotel Room Reflections and Creative Elements
- 4.10 Hotel Room Environmental Silhouette
- 4.11 Hotel Room Environmental Silhouette (Demo)
- 4.12 Terrible Room with Terrible Light Transformed
- 4.13 Conference Room - Terrible Room with Terrible Light Transformed (Demo)
- 4.14 Conference Room - Transforming a Scene with Special Effects
- 4.15 Transforming a Scene with Background Lighting
- 4.16 Transforming a Scene with Background Lighting (Demo)
- 4.17 Chapter Four Quiz
- 5.1 Outdoor Couples Portraiture 57S
- 5.2 4 Ways To Make Any Location Work 12M 34S
- 5.3 Using Reflectors to Refine Light
- 5.4 An Ordinary Office Park Turned Epic
- 5.5 An Ordinary Office Park Turned Epic (Demo)
- 5.6 Soft, Simple Flat Light and Backgrounds
- 5.7 Soft, Simple Flat Light and Backgrounds (Demo)
- 5.8 Office Buildings as Incredible Backgrounds
- 5.9 Office Buildings as Incredible Backgrounds (Demo)
- 5.10 Day for Night Silhouettes
- 5.11 Day for Night Silhouettes (Demo)
- 5.12 Evening Environmental Backlit Portrait
- 5.13 Evening Environmental Backlit Portrait (Demo)
- 5.14 Chapter Five Quiz
- 6.1 To First Look, or Not to First Look
- 6.2 First Look Positioning
- 6.3 First Look Checklist
- 6.4 Ideal Outdoor First Look Scene
- 6.5 Bad Outdoor First Look Scene
- 6.6 Ideal Indoor First Look Scene
- 6.7 Bad Indoor First Look Scene
- 6.8 First Look Assignment
- 6.9 Chapter 6 Quiz
- 7.1 Working with the Veil
- 7.2 Veil Drops and Composites
- 7.3 Veil Wraps
- 7.4 Inside the Veil
- 7.5 The Veil Assignment
- 7.6 Chapter 7 Quiz
- 8.1 Case Study #1: Get Out of Your Own Head
- 8.2 Case Study #2: Epic Prints vs. Clusters and Spreads: Cohesion Is Key
- 8.3 Case Study #3: Take Advantage of the Unplanned
- 8.4 Case Study #4: Utilize Every Minute - Better Yet, Every Second
- 8.5 Case Study #5: Your Job Is To Make Them Look Good
- 8.6 Case Study #6: Utilize Your Second Shooter
- 8.7 Case Study #7: Hard Light Used Right
- 8.8 Case Study #8: Got Crap? SFX To Success
- 8.9 Case Study #9: Think Different
- 8.10 Chapter Eight Quiz
Total Course Run Time 8H 40M 23S
Tutorials Completed 0 / 83
Quizzes Completed 0 / 9
Assignment Completed 2 / 2
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