Photography 101: How to Find the Right Light Direction

Photography 101 | How to Find the Right Light Direction

Interpreting light starts by understanding its attributes: quality, color, direction, and luminosity. Of these factors, light direction distinguishes the overall theme of an image, as shadows and highlights cast onto the subject based on the light’s direction can either emphasize or reduce imperfections.

With just a simple Wescott 5-in-1 Reflector, we’ll show you how to utilize the direction of your light to work to your advantage to create flattering portraits. This is an excerpt from our Photography 101 workshop available in the SLR Lounge Store. Stream the entire workshop and learn the foundation of photography as an SLR Lounge Premium member.

Cast – Where Is Your Light hitting Your Subject?

‘Cast’ is defined by the way light and shadows are hitting a surface. Seasons and physical location are the primary determinants of what type of light direction you will be able to use. As long as the sun is giving us a direction of light, it’s very easy to work with; the problem occurs when the sun is directly overhead, casting dark shadows and strong highlights. Therefore, the worse the light direction the more modification we generally need.

Using the Hand Trick to Find Light Direction

Simply turn and study the direction of light wherever you are and to see how it falls onto your hand. Although you may look like a crazy person for a couple of seconds, it is a useful trick to avoid shifting your subjects or letting them bake in the sun for too long.

Direct Light = Flat light

Harsh mid-day lighting causes the strongest cast of shadows, but that doesn’t necessarily mean it is not flattering with the help of modification. Facing your subjects directly into the sun fills the face with light and creates strong shadows around the eyes but no dimension on the contours of the face.

Generally, when we’re shooting with direct lighting, we want to wait for the ‘Golden Hours’ (sunrise & sunset) during the day when the sun is at it’s lowest point on the horizon, creating a giant softbox that’s reflecting onto your subject. However, if mid-day sun is all you have, here are three different types of modifications you can try with a reflector:

• 1. Scrim: This is going to spread the light and create a diffused light. It’s soft, it’s bright, and it’s still that same flat light. It’s not directional as it’s coming straight onto them but we’ve softened it by using this nice diffuser.
• 2. Silver Reflector: This technique is beneficial when your subjects are back lit, using the sun as your key light to add a nice rim light to the edges of their bodies. The reflector then serves as a secondary light, filling in the shadows. Light should always come from the top down, since that’s the way we naturally perceive it.
• 3. Silver + White Reflector: If you need the light boost from the silver reflector but find it to be too specular of light source, diffuse it with a white reflector on top to soften the light and reduce harsh highlights on the skin.

Remember that as long as the reflector is pointing at your subjects, it’s going to be extremely bright and hard to look at. Give your subjects good breaks in between shots otherwise they’re probably going to walk away very damaged eyes and a new tan.

Reflective Objects Are Everywhere

You can use objects around you, like dirt, grass, or white walls to reflect light. Search for surfaces that reflect more neutral tones to serve as natural reflective surfaces that you can use as fill.

Light Direction in Shaded Areas

Light direction still exists even when the sun is blocked by trees or clouds. While placing your subjects in the shade does help you avoid harsh direct lighting, there is still a direction that favors the brightest light source. Keep in mind that light from the sky acts as a fill, reflecting off surfaces to add light into the shadows.

Learn more about how to control, modify, and direct your light by watching Lighting 101, your A-Z guide the foundation of light shaping. Stream this workshop and so much more as a SLR Lounge Premium member!

CHAPTER 1: BASIC PHOTOGRAPHY CONCEPTS

• 1.1 – Photography 101 Trailer
• 1.2 – The Workshop Format
• 1.3 – The Camera is Simply a Tool
• 1.4 – How Does a Camera Work
• 1.5 – How to Adjust Shutter Speed, Aperture, ISO
• 1.6 – Exposure Triangle
• 1.7 – Exercise: Practice Adjusting Aperture, Shutter Speed, and ISO
• 1.8 – What is a Stop of Light
• 1.9 – Reading Exposure via the Histogram
• 1.10 – Blown Highlights or Clipped Details
• 1.11 – 6 Tips to Understanding White Balance and Color Temperature
• 1.12 – Assignment: Histogram and Highlight Alert Practice
• 1.13 – Assignment: Mixed Lighting
• 1.14 – Quiz on Chapter 1: Basic Photography Concepts

CHAPTER 2: UNDERSTANDING EXPOSURE

• 2.1 – No Such Thing as the Correct Exposure
• 2.2 – How to Measure or Meter Light
• 2.3 – 8 Key Points to Understanding ISO and Image Quality
• 2.4 – Exercise | Understanding ISO
• 2.5 – Understanding the 3 Primary Metering Modes
• 2.6 – How to Get Perfect Exposures in One Shot
• 2.7 – Assignment: Portrait Using Spot Metering
• 2.8 – Equivalent Exposure but Different Images
• 2.9 – Compensating for Light and Dark Scenes
• 2.10 – Quiz on Chapter 2: Understanding Exposure

CHAPTER 3: FROM AUTO MODES TO MANUAL

• 3.1 – Starting with Automated Modes
• 3.2 – Auto Mode and Flash-Off Mode
• 3.3 – Exercise: From Auto Modes to Manual
• 3.4 – Portrait Mode on a Fashion Shoot
• 3.5 – Assignment: Outdoor Back-lit Portrait
• 3.6 – Landscape Mode on the Beach
• 3.7 – Assignment: Long Exposure
• 3.8 – Sports or Action Mode/a>
• 3.9 – Assignment | Sports or Action Shot
• 3.10 – Macro Mode with Food Photography
• 3.11 – Assignment | Food Photography
• 3.12 – Creative Effects Mode – Floral Photography
• 3.13 – Exercise | Creative Auto Modes
• 3.14 – In-Camera Processing
• 3.15 – Exercise | Pictures Styles and Picture Control
• 3.16 – A Glimpse Into Raw Processing
• 3.17 – Quiz on Chapter 3: From Auto Modes to Manual

CHAPTER 4: SHARP IMAGES AND FOCUSING TECHNIQUES

• 4.1 – AI Servo with Action Shots
• 4.2 – 15 Tips for When You’re Having Trouble Focusing Your Camera/a>
• 4.3 – 3 Primary Types of Autofocus
• 4.4 – Single Shot with Portrait Session
• 4.5 – Assignment: One Shot Focusing Mode for a Sharp Portrait
• 4.5 – Landscape Mode on the Beach
• 4.6 – Single Shot with Action Shots
• 4.7 – Assignment | Focus Recomposing and AF Selection
• 4.8 – Focus Recomposing vs AF Point Selection
• 4.9 – Assignment | Focus Recomposing and AF Selection
• 4.10 – Shutter Speed and the Reciprocal Rule
• 4.11 – How to Hold a Camera and Panning Tutorial
• 3.13 – Exercise | Creative Auto Modes
• 4.12 – Assignment | Panning
• 4.13- Quiz on Chapter 4: Sharp Images and Focusing Techniques

Chapter 5: COMPOSITION, ARTISTRY, AND CREATING GREAT IMAGES

• 5.1 – How to Find the Right Light Direction
• 5.2 What Makes a Great Photograph
• 5.3 How to Capture Candid Moments
• 5.4. Assignment | Candid Moments
• 5.5 Assignment | Flattering Cast Natual Light
• 5.6 Basic Compositional Theories
• 5.7 Assignment | Symmetry
• 5.8. Assignment | Leading Lines
• 5.9 Assignment | Rules of Thirds
• 5.10 Assignment | Triangles and Geometry
• 5.11– Assignment | Negative Space
• 5.12 – The Power of Cropping
• 5.13 Color Schemes
• 5.14 Assignment | Color Schemes
• 5.15 Diving into the Narrative
• 5.16 Assignment | The Narrative
• 5.17 If It’s not Working With, It’s Probably Working Against
• 5.18 Quiz on Chapter 5: Composition Artistry and Creating Great Images

Chapter 6: LEARNING MORE ABOUT YOUR CAMERA

• 6.1 10 Tips on Buying Gear
• 6.2 More About Your Camera and Lenses
• 6.3 Understanding Megapixels
• 6.4 Crop vs. Full Frame Cameras
• 6.5 Crop vs. Full Frame Cameras Demonstration
• 6.6 Prime vs. Zoom Lens
• 6.7 How the Lens Affects Composition
• 6.8 Exercise | Lens Compression
• 6.9 RAW vs. JPEG | The Ultimate Visual Guide
• 6.10 5 Tips on Memory Cards
• 6.11 Quiz on Chapter 6: Learning More About Your Camera

Chapter 7: BONUS

• 7.1 Posing and Action Shots with Female Model
• 7.2 Posing and Lighting with Female Model/a>
• 7.3 Posing and Lighting Couple Portraits

Total Course Run Time: 6H 30M 21S