If I had a week, I wouldnโt be able to list all the reasons why I love the 50mm focal length. When I bought my first prime lens, I bought the Canon 35mm f/1.4 L so I could get close to a 50mm focal length on my Canon 40D. Now, I use the Canon 50mm f/1.2 L on my Canon 5D Mark III and the Voigtlander 50mm f/1.1 on my Sony A7. I also have, as near as makes no difference, 50mm equivalents on my medium format film cameras. I just love the field of view, the depth of field, and the compression you get from a 50mm lens.
When the Sigma 50mm 1.4 came to our doorstep, I was extremely excited. Iโve heard great things about their Art series of lenses so I organized a few shoots over the weekend so I could see what all the buzz is about.
Minimum Focusing Distance
- Voigtlander Nokton 50mm f/1.1 MFD: 3.28ft or 100cm
- Canon 50mm f/1.2 MFD: 1.5ft or 45cm
- Sigma 50mm f/1.4 MFD: 1.31ft or 40cm
The first thing I noticed when shooting with the Sigma 50 was that the Minimum Focusing Distance (MFD) was very short. It was a pleasant surprise because that opens up more composition options. I was shooting newborn portraits for my nephew Gus and I was pleasantly surprised at how many different compositions I could get without switching lenses.




Quick and Responsive
My nephew also has a 20mo old sister, so naturally I got her involved in the photos. I was really happy with how quick the AF was on the Sigma and how focus hunting was not an issue. When photographing babies, itโs always good to be prepared to shoot, because the photogenic moments only last for seconds at a time. Having a lens thatโs just as fast and responsive as you are can make the difference of getting the shot and not getting the shot.


Shooting Wide Open Outdoors
I love shooting natural light portraits wide open outdoors, and many times I get plagued with chromatic aberrations and blooming. I wanted to shoot this lens wide open in bright sunlight using some singh-ray filters and the Profoto 3.0โฒ RFi Octa Softbox so I could see just how well it performs wide open.



The chromatic aberrations were well controlled, and I was amazed at how great these images looked straight out of camera. Iโm beginning to see what all the fuss is about.



Itโs The Best 50mm Iโve Ever Used, But I Wouldnโt Buy It
I have no reservations about recommending this lens. Itโs without a doubt a great lens to buy, just like a Honda Accord is a great car to buy, but a Honda Accord isnโt for everyone. Sometimes you just need to be a little daring.
This lens does everything perfectly, and thatโs what a lot of photographers need, but thatโs what makes it a little boring. Itโs solid, well designed, and performs like a champ, but whereโs the fun in that? I like struggling with my lenses, learning the quirks and characteristics, and finding the best qualities about the lens.
If youโre looking for a great 50mm to buy under $1000 then the Sigma 50mm 1.4 Art might be the lens for you, because honestly there is no better alternative. But for a lens to make it into my bag, it doesnโt have to be perfect, it just has to show some character.


Let me clarify that the Sigma 50mm f/1.4 is a remarkable lens and I applaud Sigma for their achievement on making a lens that is not only technically better than their competitors, but also a better value. One thing that I do want to emphasize is that not all photographers are the same. If every photographer started using the same camera and lenses, then where would the originality be?
Before you buy this lens you should consider what youโre shooting and your style of photography. For 99% of you, the Sigma 50mm 1.4 is a fantastic choice, but for others thereโs going to be better alternatives. I canโt tell you exactly what that is, but when you find it youโll know.