Clamshell Lighting with One Speedlight for Portraits
If you shoot on location, then you are going to love the results you will experience with this simple and portable lighting setup. It’s not so much about the type of Speedlight you are using but how you modify the Speedlight to create a beautiful quality of light. In the video below, I reveal a Clamshell lighting setup with just one Speedlight for portraits.
Watch ‘Live Photoshoot Single Light Portraits | ClamShell Lighting Setup’
In the video above, you saw the Westcott Rapid Box Duo in action with the Cactus RF-60 Speedlight. To trigger the Speedlight, you can use a Cactus V6 trigger to remotely adjust the power settings of your Speedlight right from your camera. It makes things a whole lot easier for you if your Speedlight is mounted up high or it is out of reach from your shooting position.
For a flattering beauty look, start with your light in the butterfly lighting position, roughly 3 feet from your subject and then use a white reflector for subtle fill under the chin.
In the image above, I used a Westcott 5-in-1 reflector for fill. If you don’t have an assistant to hold the reflector for you, there is an optional stand to hold the reflector in place. The camera and lens I used for the image above was the Canon 5D Mark III with the Canon 100mm Macro F2.8 lens set at F5.6 ISO 100 with a shutter speed of 160.
For the image below, I switched to the Canon 135mm f2 lens at F5.6, which is another great lens for portraits. It is tack sharp, and it’s a very flattering focal length for head shots.
Once you have your lighting in place, it is really just a matter of working the shot. Make sure you focus closely on the position of your subject’s eyes with the goal of having them look confident in front of your camera. Confidence comes from the eyes, but you also have to pay attention to the position of the mouth as well.
The expression is a crucial part of shooting portraits, so shift your mindset to making a personal connection with your subject and let your creativity flow.
This last shot above was also taken with the Canon 135mm f2 lens at F5.6, this time without the white reflector for fill. I used a single Cactus RF-60 Speedlight mounted in a Westcott Rapid Box Duo with two layers of diffusion.
If you have any questions about this series of images, please comment in the section below.