
Introduction
When you are shooting consecutive HDR images, it is frustrating when your focus changes from the correct focus of your subject to an incorrect focus in the scene because it can ruin your final HDR image. This happens because the Auto Focus on your lens changes every time you press the shutter on your camera. In this article, we will discuss 2 techniques that will nail and lock your focus when shooting HDR images. These tips will ensure that your camera will not readjust the focus in the middle of your shoot.
TECHNIQUE #1: SWITCH TO MANUAL FOCUS
To stop your camera from changing to the incorrect focus at your scene, switch to Manual Focus after using Auto Focus. First, find your subject at the scene. Then use Auto Focus to set the proper focus. Once you have dialed in your focus, verify that it is correct and sharp. Then, lock that focus on your camera lens by switching the lens to Manual Focus.
To switch from Auto Focus to Manual Focus on the Canon 5D Mark III, flip the switch on the camera lens from “AF” to “MF.” As you can see below, our camera is still on Auto Focus.
When you switch your lens to Manual Focus, you have essentially locked the focus. You can recompose the scene if necessary. Now, you can start shooting without worrying about your lens refocusing. The focus will only change if you adjust the actual focal ring itself, but the focus will not change when you press the shutter.
As a side note, every DSLR camera has an Auto Focus Lock feature, where you press a button and the feature will lock the focus until you press that button again. However, we would not recommend relying on this. If you use this Auto Focus Lock feature incorrectly, your focus might change. If you are constantly shooting on different DSLRs, each DSLR functions a little bit differently in regards to the Auto Focus Lock feature. You would not want to try and figure out how to use this feature for every single camera you shoot with, but if you use the feature incorrectly, the focus will shift in the middle of your shoot. Because of this, just use the Manual Focus technique. With this technique, you can easily switch the lens to Manual Focus, regardless of what camera you are using. Then, you never have to worry about your focus unlocking in the middle of the shoot.
TECHNIQUE #2: LIVE VIEW
The second technique is to use your camera’s Live View. First, switch your lens to Manual Focus and turn on the Live View in your camera. With the Live View, you can magnify and zoom into whatever your subject is. Then, simply adjust the focal ring until the object is completely sharp. Once you have finished adjusting the focal ring on your camera, do not touch the focal ring anymore and recompose your image. Your focus will no longer change when you press the shutter again.
CONCLUSION
With either technique, be sure to check the exposures of your bracketed sequences to ensure that they are adequately sharp so that your final HDR image turns out sharp overall. Hopefully, these two techniques we shared with you will come in handy when you are shooting HDR images.
CHAPTER 1: INTRODUCTION TO HDR
- 1.1 – Introduction to HDR
- 1.2 HDR Workshop Introduction
- 1.3 What is HDR?
- 1.4 What is a Stop of Light
- 1.5 Boosting Dynamic Range by Combining Exposures
- 1.6 When Do You Really Need to Shoot HDR Images
- 1.7 Improvements in Technology
- 1.8 Installing the Presets
- 1.9 – What you will Need for HDR Photography
- 1.10 – Tripod
- 1.11 – Remote Shutter Release
- 1.12 –Lens Filter
- 1.13 – Memory Cards
- 1.14 – Backpack
- 1.15 – UNDFIND Bag
- 1.16 – Laptop
- 1.15 – HDR Software
CHAPTER 2: HDR CAMERA SETTINGS
- 2.1 – HDR Camera Settings Introduction
- 2.2 – What is Auto Exposure Bracketing
- 2.3 – How Many Exposures Do You Really Need
- 2.4 – Changing Your Cameras Bracketing Order
- 2.5 – Ceteris Paribus (Shutter Speed Changes)
- 2.6 – Capture All Shots by Shooting in Continuous Modes
- 2.7 – Camera Modes
- 2.8 – Metering Modes
- 2.9 – Timer
- 2.10 – Setting the Correct Median Exposure
- 2.11 – Nailing and Locking the Focus
- 2.12 – In-Camera HDR
- 2.13– In-Camera HDR
CHAPTER 3: HDR CONSIDERATIONS
- 3.1 – HDR Considerations Intro
- 3.2 – Using a Tripod
- 3.3 – Optimal Shutter Speedl
- 3.4 – Optimal Aperture Settings
- 3.5 – Optimal ISO Settings
- 3.6 –Moving Objects and Ghosting
- 3.7 – Using DSLRs with Faster Frame Rates
- 3.8 – Using Mirror Up Mode-Mirror Lockup
- 3.9 – Shooting in RAW vs. JPEG
- 3.10 – Macro Mode with Food Photography
- 3.11 – Clean Your Lenses & Sensor!
- 3.12 – Don’t Forget the Photographic Composition
CHAPTER 4: SALTON SEA, CA
- 4.1 – Salton Sea, CA HDR Introduction
- 4.2 – Salton Sea HDR | Pt.1| How it was Shot
- 4.3 – Salton Sea HDR | Pt.2| RAW preparation and HDR Export
- 4.4 – Salton Sea HDR | Pt.3| HDR Processing
- 4.5 – Salton Sea HDR | Pt.4| RAW Processing and Photoshop Import
- 4.6 – Salton Sea HDR | Pt.4| Photoshop Layer
- 4.7 – Salton Sea HDR | Pt.6| Final Image Processing
Chapter 5: PAGE, AZ
- 5.1 – Page, Arizona HDR Introduction
- 5.2 Horseshoe Bend HDR |Pt.1| How it Was Shot
- 5.3 Horseshoe Bend HDR |Pt.2| RAW Preparation and HDR Export
- 5.4. Horseshoe Bend HDR | Pt.3| HDR Processing in Photomatix Pro
- 5.5 Horseshoe Bend HDR |Pt.4| RAW Processing and Adobe Photoshop Import
- 5.6 Horseshoe Bend HDR |Pt.5| Photoshop Layer Blending
- 5.7 Horseshoe Bend HDR |Pt.6| Final Image Processing
- 5.8. Antelope Canyon HDR |Pt.1| How it Was Shot
- 5.9 Antelope Canyon HDR |Pt.2| RAW Preparation and HDR Export
- 5.10 Antelope Canyon HDR |Pt.3| HDR Processing
- 5.11– Antelope Canyon HDR |Pt.4| Final Image Processing
- 5.12 – Antelope Canyon HDR |Pt.5| RAW Processing and Photoshop Import
- 5.13 Antelope Canyon HDR |Pt.6| Final Image Processing
Chapter 6: MOAB, UT
- 6.1 Moab, Utah HDR Introduction
- 6.2 Moab Utah HDR |Pt.1| How it Was Shot
- 6.3 Moab Utah HDR | Pt.2| RAW Preparation and HDR Export
- 6.4 Moab Utah HDR |Pt.3| HDR Processing
- 6.5 Moab Utah HDR |Pt.4| Processing and Photoshop Import
- 6.6 Moab Utah HDR |Pt.5| Photoshop Layer Blending
- 6.7 Moab Utah HDR |Pt.6| Final Image Processing
Chapter 7: SALT LAKE CITY, UT
- 7.1 Salt Lake Union Pacific HDR Location
- 7.2 Salt Lake Union Pacific HDR |Pt.1| How it Was Shot
- 7.3 Salt Lake Union Pacific HDR |Pt.2| RAW Preparation and HDR Export
- 7.4 Salt Lake Union Pacific HDR |Pt.3| HDR Processing
- 7.5 Salt Lake Union Pacific HDR |Pt.4| RAW Preparation and HDR Export
- 7.6 Salt Lake Union Pacific HDR |Pt.5| Photoshop Layer Blending
- 7.7 Salt Lake Union Pacific HDR |Pt.6| Final Image Processing
- 7.8 Salt Lake City HDR Introduction
- 7.9 Salt Lake LDS Temple HDR |Pt.1| How it Was Shot
- 7.10 Salt Lake LDS Temple HDR |Pt.2| RAW Preparation and HDR Export
- 7.11 Salt Lake LDS Temple HDR |Pt.3| HDR Processing
- 7.12 Salt Lake LDS Temple HDR |Pt.4| RAW Processsing and Photoshop Import
- 7.13 Salt Lake LDS Temple HDR |Pt.5| Photoshop Layer Blending
- 7.14 Salt Lake LDS Temple HDR |Pt.6| Final Image Processing
- 7.15 Salt Lake Capital HDR |Pt.1| How it Was Shot
- 7.16 Salt Lake Capital HDR |Pt.2| RAW Preparation and HDR Export
- 7.17 Salt Lake Capital HDR |Pt.3| HDR Processing
- 7.18 Salt Lake Capital HDR |Pt.4| RAW Processing and Photoshop Import
- 7.19 Salt Lake Capital HDR |Pt.5| Photoshop Layer Blending
- 7.20 Salt Lake Capital HDR |Pt.6| Final Image Processing
Chapter 8: SALT LAKE MOUNTAINS, UT
- 8.1 Salt Lake Mountains HDR Introduction
- 8.2 Heber Valley Fishing Bracketed HDR |Pt.1| How it Was Shot
- 8.3 Heber Valley Fishing Bracketed HDR |Pt.2| RAW Preparation and HDR
- 8.4 Heber Valley Fishing Bracketed HDR |Pt.3| HDR Processing
- 8.5 Heber Valley Fishing Bracketed HDR |Pt.4| RAW Processing and Photoshop Import
- 8.6 Salt Lake Union Pacific HDR |Pt.5| Photoshop Layer Blending
- 8.7 Heber Valley Fishing Bracketed HDR |Pt.6| Final Image Processing
- 8.8 Heber Creeper Train HDR |Pt.1| How it Was Shot
- 8.9 Salt Lake LDS Temple HDR |Pt.1| How it Was Shot
- 8.10 Heber Creeper Train HDR |Pt.3| HDR Processing
- 8.11 Heber Creeper Train HDR |Pt.4| RAW Processing and Photoshop Import
- 8.12 Heber Creeper Train HDR |Pt.2| RAW Preparation and HDR Export
- 8.13 Heber Creeper Train HDR |Pt.6| Final Image Processing
- 8.14 Uinta Summit Panorama HDR |Pt.1| How it was Shot
- 8.15 Uinta Summit Panorama HDR |Pt.2| Single Shot Faux HDR Processing
- 8.16 Uinta Summit Panorama HDR |Pt.3| Photoshop Panorama Processing
- 8.17 Uinta Summit Panorama HDR |Pt.4| Final Image Processing
Chapter 9: BRYCE & ZION, UT
- 9.1 Bryce Canyon HDR Introduction
- 9.2 Bryce Canyon HDR |Pt.1| How it Was Shot
- 9.3 Bryce Canyon HDR |Pt.2| RAW Preparation and HDR Export
- 9.4 Bryce Canyon HDR |Pt.3| HDR Processing
- 9.5 Bryce Canyon HDR |Pt.4| RAW Processing and Photoshop Import
- 9.6 Bryce Canyon HDR |Pt.5| Photoshop Layer Blending
- 9.7 Bryce Canyon HDR |Pt.6| Final Image Processing
- 9.8 Road Side Panorama HDR |Pt.1| How it was Shot
- 9.9 Salt Lake LDS Temple HDR |Pt.1| How it Was Shot
- 9.10 Road Side Panorama HDR |Pt.3| Photoshop Panorama Processing
- 9.11 Road Side Panorama HDR |Pt.4| Final Image Processing
- 9.12
Zion River HDR |Pt.1| Location - 9.13 Zion River HDR |Pt.2| How it was Shot
- 9.14
zion River HDR |Pt.3| RAW Preparation and HDR Export - 9.15 Zion River HDR |Pt.4| HDR Processing
- 9.16 Zion River HDR |Pt.5| RAW Processing and Photoshop Import
- 9.17 Zion River HDR |Pt.6| Photoshop Layer Blending
- 9.18 Zion River HDR |Pt.7| Final Image Processing
Chapter 10: LAS VEGAS, NV & LOS ANGELES, CA
- 10.1 Las Vegas and Los Angeles HDR Introduction
- 10.2 Las Vegas Aria HDR |Pt.1| How it Was Shot
- 10.3 Las Vegas Aria HDR |Pt.2| RAW Preparation and HDR Export
- 10.4 Las Vegas Aria HDR |Pt.3| HDR Processing
- 10.5 Las Vegas Aria HDR |Pt.4| RAW Processing and Photoshop Import
- 10.6 Las Vegas Aria HDR |Pt.5| hotoshop Layer Blending
- 10.7 Las Vegas Aria HDR |Pt.6| Final Image Processing
- 10.8 Downtown Los Angeles HDR |Pt.1| How it was Shot
- 10.9 Downtown Los Agneles HDR |Pt.2| Single Shot Faux HDR Processing
Chapter 11: BONUS
- 11.1 Heber Creeper Train HDR
- 11.2 Heber Valley Fishing SIngle Shot HDR
- 11.3 Uinta Summit Bracket HDR
- 11.4 Bryce Canyon Panorama HDR
- 11.5 Zion Entrance Panorama HDR
- 11.6 Las Vegas Cleveland Clinic HDR
- 11.7 Palos Verdes HDR
- 11.8 Shen Zhen Pier HDR
- 11.9 China Street Photography HDR
- 11.10 Stearns Wharf HDR
Total Course Run Time: 13H 6M 50S
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