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From Shoot to Post
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Dramatic lighting can immediately up the cool factor of an indoor scene, and there are certain scenarios that really lend themselves to great, dramatically lit images.
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Assignment entries for this chapter
From Shoot to Post
- 1.1 From Shoot To Post
- 1.2 Why Are We Here
- 1.3 Cohesive Scenes/Delivery
- 1.4 The Shooter Controls Post-Processing Intent
- 1.5 The Shooter's 3 Cardinal Sins
- 1.6 Signature Processing: 4 Point Check
- 1.7 Signature Processing: Warmth
- 1.8 Signature Processing: Skin Tones
- 1.9 Signature Processing: Highlights & Shadows
- 1.10 Signature Processing: Dodging & Burning for Attention
- 1.11 When to Post-Process in Black & White
- 1.12 The Rule on Vignetting
- 1.13 The 5 Click Rule
- 2.1 Shaded Overcast | Shot with Natural Light
- 2.2 Early Backlit | Shot with Natural Light
- 2.3 Bright Noon & Harsh Light | Shot with Natural Light
- 2.4 Bright Noon & Harsh Light | Shot with Flash
- 2.5 HDR Environmental Portraits | Shot with Natural Light
- 2.6 Dramatic Environmental Portraits | Shot with Flash
- 2.7 Golden Hour | Shot with Natural Light
- 2.8 Dark Silhouette | Shot with Natural Light
- 2.9 Twilight Evening | Shot with Natural Light
- 2.10 Twilight Evening | Shot with Flash
- 3.1 Indoor Scenes | Directional Lighting Using Natural Light
- 3.2 Indoor Scenes | Back Lighting with Natural Light
- 3.3 Indoor Scenes | Bad Ambient Light with Natural Light
- 3.4 Indoor Scenes | Bad Ambient Light with Flash
- 3.5 Indoor Scenes | Dramatic Lighting Shot with Flash or Constant Lights
- 3.6 Indoor Scenes | Dark Silhouettes Shot with Natural Light or Flash
- 3.7 Indoor Scenes | Reception: Shot with Bounce Flash
- 3.8 Indoor Scenes | Reception: Direct Lighting Shot with Flash or...
- 3.9 Indoor Scenes | Dance Floor: Shot with Bounce Flash
- 3.10 Indoor Scenes | Dance Floor: Spin
- 3.11 Chapter Three Assignment
- 3.12 Chapter Three Quiz
- 4.1 The Power of Cropping
- 4.2 Shooting and Processing Detail Shots
- 4.3 How to Handle Flares
- 4.4 How to Enhance Fake Flares
- 4.5 Mixed Lighting
- 4.6 Uneven Lighting
- 4.7 Bad Exposures 6M 0S
- 4.8 Odd Hues
- 4.9 Dance Floor Spots
- 4.10 Psycho Lights
- 4.11 Crazy Partying
- 4.12 Chapter Four Assignment: Challenging Lighting
- 4.13 Chapter 4 Quiz
Total Course Run Time 6H 6M 19S
Course Progression
Tutorials Completed 0 / 44
Quizzes Completed 0 / 2
Assignment Completed 2 / 2
Q&A Discussions
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Paco van LeeuwenQuestion: Instead of shooting your flash through a scrim, could you also use a gridded octabox/gridded beauty dish (I have them from Profoto)
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Question: Instead of shooting your flash through a scrim, could you also use a gridded octabox/gridded beauty dish (I have them from Profoto)