photo of the day
RECENT POSTS IN photo of the day
Natural Light Cafe Vintage Portrait – How We Shot It
In today’s post, we’re going high-key! Here’s a great example of the perfect conditions for creating a bright image with a vintage / faded background…
Wedding Reception Panorama – How We Shot It
Yesterday I shared a portrait of a couple at sunset and we talked about why I decided to go with a single exposure and create a dramatic silhouette look, instead of going nuts with wireless flash or HDR techniques. Today’s image is a similar situation: I like these shadows deep and, okay let’s be honest they’re totally pitch black! I think it absolutely works for this scene.
Beach Silhouette Wedding Portrait – How We Shot It
Here is an example of when to just let shadows do what they do best: be dark and moody! With all the excitement about HDR photography these days, and the incredible dynamic range that cameras have now, often times we can get caught up in the pursuit of achieving perfectly exposed details in every corner of our images. I don’t know about you, but I find it ironic that nowadays people might consider it “thinking outside the box” to capture a good old-fashioned silhouette!
Nikon’s 50mm f/1.2 Lens Used For Wedding Details! – How We Shot It
Here is a rare and elusive lens for you Nikon fans today! The Nikon 50mm f/1.2 AIS is a manual focus lens, and despite it being so uncommon it is actually still in production today!
Lightning Panorama – How We Shot It
If you have ever tried to photograph lightning during the day, let me tell you it is not easy! What makes lightning so easy to photograph at night is 1.) The fact that you can very easily achieve long shutter speeds, and 2.) Lightning is usually the brightest thing in the sky at night.
US Navy Blue Angels – How We Shot It
Shooting air shows is the best situation (actually, the only) I shoot in for demonstrating the use of shutter priority mode. People often think that shutter priority is what you use to shoot fast action because you want to dictate a very fast shutter speed, when in fact most action sports photographers get the same result by simply shooting in aperture priority with their aperture wide open.
Portraits at Twilight – How We Shot It
This is one of my favorite things to do: Wait until just after sunset, after 90% of the other (portrait) photographers have packed up their bags and headed home. In case you haven’t already figured out my style, this is when I bust out my tripod and beg my subjects to hold VERY still. ;-)
Engagement Portrait Under the Stars – How We Shot It
To get a photo of two people in such a condition requires a fair amount of skill at holding still, combined with as high of an ISO and as fast of an aperture as you can manage. In this situation, I did not have f/2.8 or f/1.4 at my disposal, in fact for sharpness on this lens I found myself at f/4. This put me at ISO 3200 and a 1-second exposure, and even then the histogram was entirely empty on the right-hand half. (Meaning, 2-3 stops under-exposed)
Get Connected!