Sony RX1R Full Review | Sony’s Skunk Works Dark Horse
You have to have a thick wallet and a thick skin to own one, but what you’ll own is something greater than the sum of its parts
You have to have a thick wallet and a thick skin to own one, but what you’ll own is something greater than the sum of its parts
Whether you love shooting film or appreciate the aesthetics of vintage cameras, this site will definitely be up your alley. Now, you should be aware that this expansive wonderful resource will end up taking you a few hours to look through. Collection Apparelis is a French online archive with over 10,000 cameras. You can browse … Read more
Iconic cameras are the ones we dream about, and usually they are film. Here’s what it’s like to shoot the Hasselblad 500CM as you look through the viewfinder.
Tanya’s review of the Panasonic Lumix DMC-LX7 and sample pics from her trip to Seattle. Is this the perfect point-and-shoot for busy moms?
First thoughts on spending real time with the RX1R. It’s small, it’s fixed focal length, it’s full frame, and it’s horribly expensive. Is it worth it?
In their hearty stable of primes, the Fujinon Xf 23mm f/1.4 stands as the 35mm equivalent on full frame. Is it an X100s beater?
We take a look at Fuji’s longest tele prime to see how it performs. It’s marketed as a macro, but this, as it turns out, isn’t its best quality.
Vancouver based photographer, Spencer Kovats has set about revealing the tattoos of hundreds of people in a series of side-by-side portraits.
We’ve got our hands on a Fuji X-E2. Here’s what we think so far, and what’s coming.
The camera business has seen some big changes recently, and I think there are more dramatic shifts just around the corner. Sure, change itself is usually good. What I’m talking about is the effect change has on an industry and its businesses, and which ones survive while others go under.
A couple wide angle “speed barriers” have just been broken, folks! What am I talking about? Well, Rokinon / Samyang / Bower have just announced new lenses, the most notable being a pair of crop-sensor / mirrorless lenses: The 10mm f/2.8 and the 12mm f/2.
In La Famille, French photographer Alain LaBoile turns our attention back to the virtues of a simpler time; one of mischief, drama, camaraderie, imagination, and innocence. What can come across as a chronology of memoirs, can feel like a tribute to family, and a salute to generations past.