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Case Study 1

Street portraiture provides the opportunity to capture so much of the urban textures and patterns that give a city its look. The brick walls provide great leading lines as well as murals and large wall art that set a dramatic tone to any image. I wanted to take a portrait of my friend, Brandon, in a way that captures the urban atmosphere here in Santa Ana. However, I wanted to use flash in a way that isn’t so obvious that we used any external lighting. I’ll be demonstrating just how simply you can create dramatic lighting for your own street portraits. Let’s jump in.

Gear Used

  1. Canon EOS R5
  2. Canon RF 70-200mm f/2.8L IS USM
  3. Profoto A10 On/Off Camera Flash
  4. Manfrotto Nanostand
  5. Magmod MagShoe
  6. White Umbrella

The Initial Composition

dramatic portrait lighting setup no lights

The type of composition I’m looking for is simple. I left the scene quite dark since I’m aiming for a moody look. Let’s start building our dramatic portrait lighting setup.

We’re in the mid-day shade so I only needed the Profoto A10 with a basic shoot-thru umbrella. Be aware when using lightweight stands with modifiers as any wind can knock it down. As a precaution, weigh it down with a backpack or sandbag to prevent any accidents.

Our goal is to remove the shadow created by the light.

I set the A10 to full power with High-Speed Sync in order to have a fast shutter speed and shallow depth of field. Notice the shadow behind Brandon produced by the direct light. Let’s try to remove this shadow.

Cleaning Up the Composition

dramatic portrait lighting setup lighting position
Placing the model in the recess in the wall eliminates the shadow on the wall.

My trick to avoid that shadow is to place Brandon in a recess in the wall like we have here. I placed the light as close to Brandon as I could without getting the light in the frame. Doing so produces a not only a softer light, but brighter as well.

Moving closer to the wall conceals the door visible in the left image.

I stood close to the wall as I took the photo in order to hide the doorway in the wall. Compare that image with one I took further away. From here, we’ll be following the standard C.A.M.P. framework.

Related Reading: What to Check Before Taking a Photograph | The C.A.M.P. Framework

Setting the Ambient Light

dramatic portrait lighting setup ambient light comparison
The dark ambient exposure allows us to shape the image with external lighting.

After moving Brandon more into the recess to capture the detail on the wall, I landed on my final ambient light settings: 1/500sec, f/2.8, ISO 50. I set the settings dark to capture that dramatic tone. Compare it to a brighter exposure which negates the need for external flash altogether.

Modifying/Adding Light

I made sure the light was slightly in front of Brandon and turned his head toward the light. In order to get more power from the light, I brought the light even closer.

dramatic portrait lighting setup light distance

Notice the difference in light quality and brightness when it’s closer vs. further away.

Photographing the Final Images

Now it’s time to shoot away! Move your model around to get different light shapes on his/her face. I wanted to get more light on Brandon’s far cheek so I moved him back. Then, I captured this series of images.

dramatic portrait lighting setup final images

Check out the final images, edited using Visual Flow’s Modern Preset Pack.

Case Study 2

 

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In our first episode of Slice of Pye we’ll teach you how to create dramatic portraits with a single speedlight and modifiers.

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Gear used in this tutorial:

1. Set Up your Light at an Angle to the Subject

To bring the drama we need to create a strong direction of light. The more the shadows, the better. We started off with the A1 to camera right with no modifiers just to set up our light. From this test shot, we can see that the light is spilling onto the background and a bit onto the subject’s body.

2. Add A Grid to Control the Light

To learn more about 5 key light patterns, click here.

To control that spill we added a grid to pin the light onto our subject’s face. This means that you’ll likely need to bump up your flash power in order to compensate for the light you are losing by placing a grid on your flash.

3. Balance the Color in the Scene with a Colored Gel

We then added a full CTO (color temperature orange) gel to the A1 and shifted our in-camera white balance to Tungsten. This step will differ depending on your background and ambient light. And that’s about it!

4. Bonus Tip: Try Creating an In-Camera Double Exposure

For a little added flare we decided to take a wider portrait incorporating more negative space and use the in-camera double exposure feature to add in leading lines.

Tune in for our next episode April 24th at 2PM PST!

Conclusion

I hope you all enjoyed this article/video. Capturing a great image can be simple with this dramatic portrait lighting setup. With a great model and knowing what to look for in your location, you too can capture stunning portraits. For a complete course on flash photography, check out our Lighting Series from our Premium Channel. Also, be sure to check out Visual Flow for lighting-based Lightroom presets like we used here.