WEDDING SEASON SALE! 30% Off Training Systems!

Your content will be up shortly. Please allow up to 5 seconds
Gear & Apps

Palette Review – A New Way To Make Adjustments In Post Without a Mouse

By Brandon Perron on February 27th 2016

While most of society hates FB and Google for “learning” about you and advertising to you, I don’t mind it. Sometimes it leads me to something I would have never known about. This is one of those cases; I saw an ad for Palette. It peaked my interest, so I clicked through…turns out, it is a set of physical controls (sliders, knobs or buttons) that you plug into your computer via USB. You can assign a function to each unit instead of using the mouse for certain adjustment operations (think saturation, exposure, white balance, etc. adjustments). I had to try these out for myself, so I contacted Palette and they sent me a review set to spend some time with.



*Full disclosure: I was sent a review unit at no cost to me to play around with and see what I thought. Also, my opinions in regards to this product are solely mine and not a general consensus of  SLR Lounge or any of its team members.*


I shoot in raw and have ALL settings turned off in the camera because I want full control over the post process and of the image, not the camera. So I am very much of the school of adjusting things in post. Most often that is WB, exposure, and individual colors. This can prove to be a bit clunky, always going to each one and adjusting the slider with the mouse, which is never as accurate as I would like it to be. With the Palette, the control is very precise and you can assign each one a certain color or adjustment. There is no more hunting and finding each setting to adjust and having to move the mouse with the slider; it is just using the slider/dial for each adjustment and it is done. The controls themselves are very easy and smooth and allowed me to be ambidextrous and use both hands for even more speed.

When I first got my review set, I posted up a photo and a few folks expressed concern about a possible delay in response and that negating the benefits of this sort of system. I saw no delay; it was quick and responsive and as soon as I moved the button or slider, it immediately began controlling whatever adjustment I was working on.


I was informed that they do work best with Adobe CC, but will work with newer versions of Adobe products. Since I solely use CC, I didn’t have an “offline” version to test out the Palette on.


I gave it a five start rating because it does exactly what is promised and does it very, very well. It is fast and has virtually no lag in the setting it is adjusting.


The features of Palette are fairly straightforward and there is not a lot to them. They are simple in what they are designed to do. However, having 3 different control options ups the feature star count, as it allows folks a very customizable set up.

The software itself has a lot of things it can control (particularly in Lightroom). I almost docked it a star as I think the Photoshop control adjustments are lacking some, but it is still fairly extensive, and it may be a limitation of Photoshop and not the program of Palette.

It does work with both MAC and PC, so it has the board pretty well covered there.

A feature, if you will, that would be great to see is a “pick your own kit,” where you could customize what you needed because there were a few buttons I found no major use for and could’ve done without. I’d also add more knobs than sliders.


I know there are some other systems on the market that look more like a DJ board for mixing and controlling sound (there are even some that are exactly that and people have converted them to work with their photo programs). However, this is where I think this Palette system shines above all the others. You can arrange them into almost any shape/configuration to suit your needs. Whether you have limited space on your desk, small/large hands or maybe just very particular how you like things to be, these will accommodate you, not the other way around.

arrested_decay_imagewerx_slr_lounge_palatte_review_2 arrested_decay_imagewerx_slr_lounge_palatte_review_1 arrested_decay_imagewerx_slr_lounge_palatte_review_5 arrested_decay_imagewerx_slr_lounge_palatte_review_3

Setting up the Palette for the adjustments you want them to control is stupidly easy and crazy intuitive. I expected some sort of convoluted hooking up, trial and error through a text-only selecting system. That was not the case at all. Once you install the software and connect them to the computer, you get a window that pops up with an image of each one and the configuration you have set up. You then click on one and assign it the function you want it to control. The icing on the cake is that each of these units comes with a strip that illuminates with a color of your choosing (8 different color options), so you can have a very quick visual reference of what it will be controlling (after a while, this became a moot point as I knew from touch memory which one controlled what).


Something I would love to see improved on the design is for the LEDs to have any custom color assigned. My goal would be have close to a dozen units; with the limited colors now, you would have to double up on some colors. Although, at some point, you do get touch memory down and the colors will become irrelevant.


Each unit is very well designed and refined. They are pretty much dripping in brushed aluminum. They have a thin line of frosted material around the parameter of each, which is what displays the color you have chosen for it. The knobs feel great to the touch and give no impression of breaking or failing. You also get one unit that has a small LCD screen which shows you what program you are using them with (this is also the brain of the units).


_ADI7112 arrested_decay_imagewerx_slr_lounge_palatte_review_11 arrested_decay_imagewerx_slr_lounge_palatte_review_10

arrested_decay_imagewerx_slr_lounge_palatte_review_12 arrested_decay_imagewerx_slr_lounge_palatte_review_7

They also hold together with some fairly strong magnets. These magnets are the right amount of strength. They hold together and take a little elbow grease to pull them apart but not enough to where you risk damaging them and when snapping together, they will not be ripped from your fingers.


A 5-star rating was an easy call here; these bad boys are very, very well put together and designed.


While the starter kits are not super expensive, they are well short of what I would need for my particular post work. I would need at least 12, and that would get expensive very quickly. I could make do with less, I suppose, however, if I am going to do this, I would not want to compromise on the set-up. For that reason alone, I can not give it 5-stars because, at the end of the day, this is more of a convenience than a revolutionary time-saver, and can become costly fairly quickly.

If you a photographer who is shooting tons of events on a weekly basis, then these have a 5-star value. However, I believe that for many photographers, the convenience will not outweigh the cost.

Possibly getting rid of the unit with the LED screen might save on initial cost (mostly because you know what program you are working in and do not need to be reminded of it). My assumption is that the screen is the “brain” so you may need one, but ditching the screen could save on cost.



Again, if you are photographer who is shooting a ton and spending tons of time in post, editing even the slightest corrections on hundreds to thousands of photos on a regular basis, then YES to this system would be great for you. If you are not editing a ton of images and don’t have a lot of extra income to spend, I would wait on this purchase.

So, bottom line, would I buy them? Honestly, I flip-flopped on this. When I originally started writing this article and I wasn’t going to purchase them. However, after spending a bit more time with them,  I decided that I am not only going to buy them, but I will buck up and spend a bit more and get the set up I really want.

You can head over to and check out further information. You can order directly from them, or you can head over to B&H Photo and get them there as well. You can get a starter kit for 199.00, the expert kit for 299.00 and the professional kit for 499.00. Each addtional module ranges from $29.00-$49.00.

This site contains affiliate links to products. We may receive a commission for purchases made through these links, however, this does not impact accuracy or integrity of our content.

Brandon Perron is a wedding photographer, making a transition into a freelance automotive digital contributor/photographer, as well as setting up his own private gallery. In his words, he is an uber sarcastic gasoline loving gear head, lost amongst the hipster hyper Eco-friendly crowd of PDX and has a mouth that makes sailors blush. He likes to think of himself as a daily life commentator, where nothing is off limits to poke fun at.

Q&A Discussions

Please or register to post a comment.

  1. David Kalonick

    Good thing you didn’t pay for that, because this is changing my life! I edit a wedding in one go. I’m no longer fatigued. –

    | |
    • Justin Haugen

      they seem to have a mocking tone toward the notion of windows users eagerly hoping for news about a windows release.

      I’d have happily given pusher labs my money months ago if they took windows users more seriously. They said on their facebook page that we’ll see capture one compatibility before we see a windows version.

      | |
    • Stuart McCuaig

      looks cool ill check it out!

      | |
  2. Justin Haugen

    Brandon, I was hoping you would speak to how it feels using the sliders. I’ve heard other photographers complain that they would prefer motorized sliders. When you use a slider, is there a sense of relative position corresponding to the slider on screen?

    | |
    • Brandon Perron

      Feels fine to me. I have never used motorized sliders, so maybe I do not know what I am missing out on? However, they sound considerably more expensive, so I am not sure how big the market would be for them.

      Relative position? As in if it is moved, I know where it is if I need to move it again? I am sorry, I am not understanding your question. If you could elaborate a bit more, I will do my best to answer your question.

      | |
    • adam Padgett


      You aren’t giving us good idea of how they work (and neither is Palette). If the sliders aren’t motorized, then what happens when you increase exposure on one photo say to the maximum and then go to the next photo. You can’t go up any higher with slider. A motorized slider, would return “home” or to wherever it should be in relation to the settings in Lightroom. So does Lightroom automatically adjust the next photo in relation to the sliders? That seems like a headache if it was already processed or didn’t need adjustments to begin with.

      And do the dials work the same as the sliders? I want to see someone actually edit with this thing in real time instead of their marketing piece.

      | |
    • adam Padgett

      Answering my own question here:

      They do have a very short video of how it works.

      If you go to the next photo, no changes happen in LR until you move that slider again. Once you move it, it seems LR changes to the settings to wherever the slider is in relation. Not bad.

      | |
    • Justin Haugen

      I got to demo it on Wednesday hands on. Ordered the Aluminum Professional Kit. Unfortunately it’s not in stock and they are taking pre-orders before it ships in June. Chinese new year probably pushed back production. It’s too bad, I was trying to leave with one at WPPI.

      | |
  3. Bob Davis

    That is so cool….I’m gonna get one!

    | |