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long-beach-wedding-photography Tips & Tricks

How We Shot it – The Rolls Royce Evening Mood Shot

By Pye Jirsa on September 6th 2012

long-beach-wedding-photography

Background and Vision

This past weekend while shooting for our studio Lin and Jirsa Photography, my wedding clients had hired a Rolls Royce and chauffeur for their grand departure. They had expressed their wishes to get some nice shots of the car prior to leaving.

Since they wanted these shots at night, I knew lighting was going to be a challenge since I don’t like my backgrounds falling to complete black. So, my thought was to use the front windshield as a backdrop since it would reveal a little bit of lights and color from the street. I wanted to reveal the dashboard detail as well, since it was such as strong feature of the car’s overall look. Then I used the mirror to creatively frame them into the shot.

Because of the limitations of the overall working space. My correct exposure for the subject lighting was at 1/200th shutter, F/2.0 and 800 ISO. However, in hind-sight I should have simply gone with 1/100th shutter and brought the ISO down a stop. Consequences of rushing sometimes ;)

How It Was Shot

Camera: Canon 5D Mark III
Lens: Canon 24mm F/1.4L II USM
Shutter Speed: 1/200sec
Aperture: F/2.0
ISO: 800

rolls-royce-mood-shot-diagram

This diagram might be a bit tough to decipher, so let me help. We used two regular tungsten constant lights (Pick up some cheap LED Video Lights on Amazon).

The keylight is just one of these tungsten video lights aimed directly through the front passenger window at the subjects. The second tungsten light I have placed just under my camera to light up the dashboard of the car.

Then, with my 24mm, I am simply framing my subjects in with the mirror, while finding a good angle for the dashboard in the shot.

Post Production

Post processing was done in Lightroom 4 using the Lightroom 4 Preset System, then we did a little bit of cloning/healing of distracting elements in Photoshop. We will feature tutorials on the production side later.

About

Founding Partner of Lin and Jirsa Photography and SLR Lounge.

Follow my updates on Facebook and my latest work on Instagram both under username @pyejirsa.

Q&A Discussions

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  1. Ed Rhodes

    love these features, keep them coming!

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  2. Albert Zablit

    Short and sweet :) 

    You mention dropping the ISO a stop. Would you have notice any difference in IQ between 400 and 800ISO on the Mk3?

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    • Pye

      The thing I always regret is not taking advantage of dynamic range. Between 100 – 400 ISO, your camera will show a lot more dynamic range in tone and color than compared to 800, 1600, 3200+ ISO. Would it have been super noticeable? Between 400 and 800, not that much, but had I shot it at 1/50 shutter 200 ISO, you would probably see quite a bit more color range and tonal definition in the shot. Something a client probably wouldn’t pick up on, but a pro would. 

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