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Edelkrone QuickRelease One | An Elegant Solution To Our Common Problem

By Kishore Sawh on September 7th 2015


Edelkrone is a company that has a knack for finding an elegant solution to a common problem, and doing this takes a bit of genius. They’re a bit like the Dyson of the camera world.

Take something like a standard camera slider. For videographers and timelapse photographers and so forth, sliders are a fundamental piece of kit that helps to keep things steady, and steadily moving. The concept is simple, as it’s essentially a track with a carriage on which a camera sits and glides across the track for consistent and cinematic looks. But they can be large, bulky, not very portable, and not easy for a one-man show. Edelkrone saw this and developed the SliderPlus, which took the concept of a slider and moved it forward.


The SliderPlus is essentially different from a typical slider in a few ways. For one, it’s small at about 1 foot, but the track itself is able to glide back and forth on a set of wheels of its own, allowing for 2 feet of movement on a track that’s 1 foot long. Sort of brilliant in its simplicity and execution.

They’ve now done something similar that will probably appeal to just about every photographer, as what they have made is being touted as the world’s first universal quick release system called the QuickRelease One. Moving from one tripod to another, maybe to a monopod, or a stand, typically involves a lot of unscrewing to secure the base of the camera to a specific plate. This is annoying, time-consuming, and makes those pieces prone to loss. This, finally seems like the solution.


When you think of standards in photography, you may think about sensor sizes or whatnot, but 1/4″ 20 threads are a real standard. I can put my hand on my heart and assure you that essentially every plate, stand, battery grip and so forth adheres to this thread standard, and the QuickRelease ONE seems to securely clamp down onto any of them. Releasing is done with the push of a sizable lever that should make migration from one piece of equipment to another, a breeze. Also, it’s worth noting that the lever itself should be able to be positioned as you like, so you can ensure battery doors and so on are always available.


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There are a few things to consider, however, before you run out to get one. It has a maximum weight of 6.6lbs, so video shooters with your heavy Cine lenses and cameras may find this too restricting. It’s probably limited to this weight because it doesn’t provide two points of contact to the camera like a plate would, and I know some will miss this, but few, especially these days with the rise of smaller mirrorless systems.

It’s extremely cool, and you can get a good idea of how it looks and works in the video below. Hopefully, we will have a review coming for you in the near future, and you can see what tripods we love in our Gear Talk episode:

You can find out more and get one now from Edelkrone’s site for $139.

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A photographer and writer based in Miami, he can often be found at dog parks, and airports in London and Toronto. He is also a tremendous fan of flossing and the happiest guy around when the company’s good.

Q&A Discussions

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  1. John Priest

    Inovation sparks the mind. Bravo Edelkrone for NOT having the same rehashed gear of everyone else! They always have a different twist on Photog/filming gear. I love their stuff! Mine is already on the UPS truck! Not the cheapest stuff in the world, but for all the price conscience people there is always a knockoff on eBay for ya! ;)

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  2. Matthew Saville

    I love being a landscape photographer. I’ve left my ultralight and relatively affordable Arca Swiss plates bolted to my camera bodies for years at a time, in most cases. :-)

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  3. Mark Henry Dela Torre

    Ain’t that a locking system mounting directly on a screw? If you tilt your tripods head vertically and you have a heavy zoom lens, will it unscrew itself? Looks like a design flaw.

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  4. Arturo Mieussens

    A bit bulky, but not a bad idea. Now, this integrated inside a camera would be great.

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  5. adam sanford

    How would this be better than my Really Right Stuff L-plate for landscape work? My RRS plate allows a very convenient changeout for vertical shooting, even on lenses that lack collars. Unless you like tipping your ball head 90d or are using a collared lens, I think you’d be SOL using this new tool in a vertical setup, wouldn’t you?

    It’s also very thick. These photos look like it (locally) appear to be as tall as a gripped body. Many camera bags will not support that kind of added body thickness if you want to leave it on your body all the time.

    I’m not opposed to the idea, but it seems far more tailored for people constantly bolting their rig on to all sorts of different contraptions. That’s not me… but others might love this.

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  6. Nick Viton

    I think it’s brilliant

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  7. Dave Smith

    Nice idea, BUT too large and WAY too expensive. #140 really? How about you just make sure all your gear uses the same plates?

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