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DSLR Video Camera Equipment Guide | Bodies

By Video Team on July 19th 2013

This article is part of our Gear Guides. We try to continually updates each article as new cameras are released, but if you feel like we’ve missed something, please comment below!

Introduction to DSLR Camera Bodies

The ability to record High Definition Video through a DSLR camera has changed the industry and the history of Cinema. Now consumers have the ability to get professional quality video, without having to spend hundreds of thousands of dollars. Although it is now more affordable than ever, careful consideration must be taken into account when shopping for a DSLR camera for video.

What are your needs? How much do you want to spend? Do you want to turn this into a career? These are some of the questions you’ll need to be asking yourself when considering a DSLR camera for video. In this article we’ll be discussing different bodies, their price points, and their strengths.

Under $1,000 DSLRs for HD Video


Canon T3i

The T3i is the best budget camera for DSLR video today. For as little as $500 you can get a fantastic DSLR camera capable of shooting professional video. It has a great 3 inch articulating screen, which is great for shooting low to the ground, or high above your head.

Although canon has released 2 successors for the T3i (T4i and T5i), they both use the same sensor as the T3i, so you’re actually getting the same video quality. Canon still sells the T3i new, and the combination of price, image quality and versatility makes this camera a great buy. (More info on the Canon T3i)


Canon 60D

After the T3i and rebel series, the 60D is a step up in professionalism in Canons DSLR camera line. The 60D has many more professional features without being much more expensive than the T3i. One of the most important features the 60D has over the T3i is the ability to control white balance manually (in Kelvin).

With the T3i you’re limited to choosing a white balance preset (shade, daylight, tungsten, etc.), but with the 60D you’re able to make very specific adjustments in Kelvin. The more video you shoot, the more you’ll concern yourself with video color and aesthetics, making the 60D a great choice for people who want to be more invested in DSLR video. (More info on the Canon 60D)


Nikon D5200

Nikon’s entry level DSLR camera is full of features that any amateur can be satisfied with. The D5200 also has an articulating screen, making it versatile for shooting high and low.

The surprising thing about the D5200 is the low light performance. The video you get from higher ISO’s are clean and sharp, combine that with the price and that makes this camera a great deal. (More info on the Nikon D5200)

$1,000-$2,000 DSLR Camera Bodies for HD Video


Panasonic DMC-GH3

A camera that is often overlooked is the Panasonic GH3. The GH3 offers an impressive 1080 at 60 frames per second, and an equally impressive bitrate of 72mbps. The GH3 also significantly outperforms other cameras, with less moiré and aliasing it offers exceptional image quality.

What separates the GH3 from other cameras at the price point is that the GH3 was designed from the beginning to do video. For people who are considering filmmaking, the GH3 is a great option. At the price point, there is simply no better camera. (More info on the Panasonic DMC-GH3)


Canon 5D Mark II

The full frame sensor of the camera and having dedicated buttons (for iso, white balance, zoom, etc) makes this camera perfect for amateur enthusiasts and professionals alike. Take a look at the Mark III below for more information on the difference between the Mark II and the Mark III.

Canon no longer sells this camera new, although great deals can be found all the time on the used market. (More info on the Canon 5D Mark II)


Canon 6D

This is Canons most affordable full frame camera. One of the best features of the 6D is the ability to shoot at higher ISO’s and get really clean video. This is especially important when shooting casually, shooting events, or any time when you don’t have full control of the lighting in the room.

Although it does not have as many dedicated buttons as the 5Dmark II or III, canon has redesigned the Q button (quick menu) for video recording. For under $2000 you get a brand new full frame camera, with great video quality and great low light performance. (More info on the Canon 6D)


Nikon D600

The D600 is Nikons cheapest full frame camera, and it is also packed with useful video features. The autofocus can be activated during video recording by half pressing the shutter. You can have audio levels displayed on the screen while recording. And you can use both full frame and cropped lenses.

For Nikon shooters this is a great camera for those who are getting more serious about video. (More info on the Nikon D600)

$2000+ DSLR Camera Bodies for HD Video

Canon 5D Mark III

The 5D Mark III is a step up from the 5D Mark II in a lot of ways. It’s a step up in clip length (30 minutes instead of 12), it’s a step up in ISO performance, and unfortunately it’s a step up in price. But what you pay for is what you get. The 5D Mark II was a great camera in terms of video quality, but there were some serious hardware drawbacks that filmmakers had to work around.

The 5D Mark III now includes; a headphone port for Audio Monitoring, CF and SD card slots, timecode settings for HD movie shooting, and a silent control touch-pad area. For people serious about DSLR video, the 5D Mark III has the horsepower you need for most video projects. (More info on the Canon 5D Mark III)

Nikon D800

The Nikon D800 has excellent video quality. There are a lot of fine details, great colors, and minimal rolling shutter effects. When recording at High ISO, the noise is very well controlled, making it possible to get great video quality even with little lighting.

Another great feature in this camera is that you can extract still images from your video and save them as a JPEG. The D800 is one of Nikons best still cameras, and clearly one of their best Video DSLR’s. If you need great quality photos as well as video, the D800 is a great option. (More info on the Nikon D800)

Canon C100

When you feel like you’ve learned all that you can from a DSLR and want to take a step up in your filmmaking career, you have to consider the C100. Canon has made it easy for Video DSLR filmmakers by introducing the Cinema EOS line, a line of professional camcorders without the professional price.

The C100 shares the same lens mount as the canon DSLR’s, so all of the lenses you’ve invested in can be used on it. It also supports HDMI outputs with a non-compression signal, built in ND filters, and two XLR audio connectors. When you’ve decided you’re serious about making films, and want to take a step up from DSLR’s, the C100 is the step up. (More info on the Canon C100)

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Q&A Discussions

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  1. Jae Hammond

    Can you get a good consumer video using the Canon 70D or is this camera has lots of limitation to give you professional quality videos.

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  2. Dave Tameling

    Thanks for your rationale on the a99 Joe. For me there’s more to a good video camera than codec bit rates (The XLR audio module for my a99 is the greatest thing since sliced bread!). For the work that I do, the a99, the NEX-7, and the FS series cameras all do a fantastic job with results that consistently satisfy me, and my clients, despite maxing out at 24/28 Mbps.

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  3. Ivan

    Joseph, did you have a chance to compare lower-priced cameras to NEX-series? If we don’t take still photos into account, how do they compare in terms of video quality?

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    • Joe

      Low-bitrate codec means higher chances of choppy /blocky artifacts appearing in busier scenes.

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  4. Alex

    It’s strange not mention about disability of aperture changing during video recording for most of cameras except all Canons, GH2\3, D800 & D4. Аlso very important to mention about DOF and AF system during video recording. That means T4i, T5, T5i, GH are best for video newcomer

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  5. Dillan Stockham

    The softness of the 5D3 is in the encoding process when the camera converts raw to h.264. Magic Lantern “improved” the resolution of video by giving us the ability to shoot raw video with the camera, which is very very sharp. Though there are no sharpness improvements in the compressed shooting mode that came standard from canon. The GH3 is probably the sharpest you can get before moving up to a C100 when shooting compressed formats.

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  6. ken

    Also worth mentioning is that there have been comparisons that show that the GH3’s video resolution is the closest to 1080p.
    The D800 and 5DmkIII are closer to 720p (no idea if Magic Lantern’s changes have improved this but I suspect the issue is at the sensor level and how they downsample the resolution to 1080p).

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  7. Dave Tameling

    No Sony a99? It’s the best video camera I’ve ever owned and easily in the same company as the GH3 and 5DIII.

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    • shamb

      Looks like the usual bias. GH3 probably only added because of Bloom. We’ll see how it stands when the 4k stuff comes out in 2014 ;)

      Realistically, DSLR video quality doesn’t matter that much, because if quality is your thing (i.e. you are filming for anything other than the internet) you can hire a good Sony or Canon Pro video camera for the week for cheap now, and the cost is recouped in the lower amount of post production time. Magic lantern is RAW is nice to play with, but if you have paid people on set, you’re going to pay a couple of hundred to hire something that can do it all consistently and with good workflow.

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    • Joe

      I own the GH3 and tested the Sony A99 extensively during my review. The problem with the A99 is how it pixel bins from the larger sensor and also the low bitrate codec. The video quality I get from the A99 was neither sharp nor cinematic. Instead, it was a lot more camcorder like even though it has a full-frame sensor. The VG900 suffers from the same issue as well.

      The Steadicam is a great feature to have, though. Can’t wait to see how Olympus’s 5-axis stabilization gets implemented in future Sony cameras, including their Sony Pro cinema cameras.

      Joe Fotosiamo

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  8. Dillan Stockham

    I think it would also be fair to add that the 5D mkIII is the only one of the bunch that is capable of shooting 1080p Raw video with Magic Lantern. Which is great for those who need it.

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