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Tips & Tricks

How to Choose a Film Lab | The Questions To Ask & The Answers To Watch Out For

By Christina Blanarovich on May 23rd 2016

When asked about shooting film, I am inevitably  asked  the question, “Do you develop your own?” The answer is a resounding “NO”. While I have had the pleasure of the darkroom experience in the past, my current life situation makes having a darkroom in my house rather difficult and the idea of spending hours upon hours around chemicals doesn’t really appeal to me. When my kids are older and show interest, this may change, but for now I’m happy to send my film out to a professional lab to do all the dirty work for me.

Choosing a film lab, however,  is not an easy task. It’s a bit like sending your babies to boarding school; Someone else is raising them, molding them, tending to them… There are many different, amazing, professional labs in the US and abroad; each has their merits, but picking the lab that works for you is key.

Zen Choosing a Film Lab

When I first started shooting film, I tried multiple labs before  I found ‘the one’. I’ll gladly share who my lab is with you, but I want to start by saying that I don’t dislike any of the other labs I used in the past. I simply found the lab that works for and with me,  in the way I prefer.

So how do you choose a lab? Honestly, it comes down to trial and error mixed with a whole lot of communication. Picking a film lab shouldn’t be based on which big-name film photographer uses them.  It should be based on how they develop and scan your film and the feeling you have once you establish a working relationship with them. People often think that they can send in their film and, magically, the lab should “get their style.” It doesn’t exactly work that way. You need to enter into a dialogue (yes, on the phone) with your lab, and help them understand what you are looking for. It takes a few rounds of back and forth for a lab to nail your style, but once they do, life becomes easy.choosing a film lab

Part of the draw of being a film shooter is the ability to shoot and step away. I prefer to spend less time in front of the computer and more with my family. I like being able to focus on interacting with my clients and then send out the session to be developed and scanned by my lab. When I get the images back, it’s like Christmas morning, each and every time. The excitement of seeing the images come to life how I remembered them still makes my heart flutter.

When going through the process of choosing a lab I recommend asking them the following questions to ensure that your film is being handled the way you prefer.

Will I be able to have a dedicated scanner?

The person doing your scanning is responsible for much of how your images look (beyond your job of exposure, composition, etc…). Having a dedicated scanner allows them to get a feel for your shooting style, color and contrast preferences, and will result in better and more consistent scans. Some labs do not allow for dedicated scanners., and while it may not be a deal breaker for some, it was for me. I saw too many varied results from these labs and preferred to work with one person at a time.

Will the lab allow you to create a custom profile? If so, do they charge a fee for this service?

While some labs offer the ability to do so, I don’t believe in using another photographer’s scan settings to set your preferences. Each person shoots differently and I believe you should focus on your own aesthetic. Most labs will allow you to create custom profiles that will help keep your scans consistent. Some charge, some do not. It’s personal preference whether you feel this service is worth that cost. I think working with a lab to create a custom look just for you is essential to creating the cohesive, consistent look you need in the wedding and portrait industry.

When setting up a custom profile, do not be worried about hurting your lab’s feelings (you’d be surprised how often I hear that from photographers). Remember, that they actually want your feedback! If your film comes back and it doesn’t look the way you want it to (and you did everything on your part – metered correctly, etc), then call them and talk through your concerns. Fix a few images in LR or PS and send them the files. Explain what you did and why you prefer your edits over theirs. Photographers (and lab techs) are VISUAL learners. They need to SEE what you mean when you say you love warmth and contrast. Because that will mean something different to each person. I often hear, “But I shouldn’t have to explain it to them.” Well, why the heck not? Labs aren’t mind readers;Help them help you. It’s that simple.

choosing a film lab

Finally, once you HAVE chosen your preferred lab, it’s important to foster your relationship with them.

I love my lab because of the amazing people that work there and run it. I am not a number, or a random order. I am a valued customer, regardless if I send in 2 rolls or 50 rolls at a time. I know some of you are thinking “Really, Christina? You think having a warm and fuzzy feeling about your lab is important?” My answer is “yes!” because we value each other, and when I’m sending my art to them, I want it to be in good hands. If that doesn’t jive with you, think of it this way… your clients are paying you to ensure that their images are created in your vision and delivered to them properly. If you don’t choose the right lab for that job, you may not have future clients or referrals!

[REWIND: Shoot Expired Color Negative Film With Confidence]

choosing a film lab

So who is my lab of choice? I use the FINDLab, based out of Orem, Utah and was founded by a film shooter, Jonathan Canlas. Everyone at the lab is a film photographer, so they truly understand their craft. The lab manager, Belinda, is the bees knees. She runs a tight ship, and makes sure everyone is taken care of! Their work has been consistent and they understand me.

You don’t have to take my word for it.  As I promised, here is a list of a few of the major film labs in the US and abroad (this is by no means a comprehensive list, just the few I know and would recommend to try).

The FINDLab

PhotoVision

Richard Photo Lab

Indie Film Lab

Carmencia Film Lab

UK Film Lab

Christina Blanarovich is a film photographer based out of NY. She has a passion for all things Nutella and Star Wars and is nice enough to share both with her husband and two little boys. An avid traveler/adventurer, Christina’s work has taken her to many locations around the world, for both photography and teaching. As a former educator and track coach, she loves helping others explore and reach their potential (and also loves telling people what to do, sometimes in a loud voice). When she isn’t geeking out on film photography, she loves adventuring with her boys, kicking butt in Muay Thai and watching dorky sci-fi shows.

Q&A Discussions

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  1. Jay Cassario

    Awesome article Christina! Loved it

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  2. Ralph Hightower

    I’ve “saved” the site. I have some C-41 and E-6 to develop. For B&W, I use Dalmatian Lab (http://www.dalmatianlab.com/).

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    • Christina Blanarovich

      If you want to try out my lab, The FINDLab, write “FIRST ROLL FREE” on your order form and you’ll get just that ;) Don’t forget to tell them I sent you!

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  3. oscar campos

    fantastic article! This is an important step that many people who shoot film in this digital age forget or cheap out on. Don’t because you will regret it. It’s important to test several labs (if possible) and open dialog with them if you aren’t happy with the product you received. I will throw a second vote in the hat for the FINDLab.

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    • Christina Blanarovich

      Yes! I tested so many before I found The FINDLab and was really happy with them. Every shooter is different and you need to find the lab that works for you! Keep shooting that film!

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  4. Paul Wynn

    I am really curious why someone would choose to use film in the digital age? Personally I grew up with film, but delighted to embrace digital technology fifteen years ago. I note in her profile, Christina describes herself as a Hybrid Shooter, having started digital before using film.

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    • oscar campos

      better question to you, why not shoot film?

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    • Christina Blanarovich

      Hey Paul! I would love to answer your question! Film is an experience for me, not just a medium to use when shooting. I prefer the color and richness of film to digital (and have never had much success matching my digital scans, nor do I enjoy the process of trying to match them). I also like the way film forces me to shoot. I find myself more connected with my clients and much more confident in my skills than I was as a digital shooter. I can do either seamlessly, but far prefer the film. Each of my film cameras are unique in the quality of the photo they produce, each film stocks has its nuances I prefer in different situations. I really only shoot digital now when I HAVE to (mostly in very low light scenarios such as a dark church or wedding reception where video light wouldn’t work). Film has helped me truly develop my voice as a photographer and it is the medium I am most happy and passionate about shooting. While digital may “technically” be more advanced, film will always be King for me.

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    • Paul Wynn

      Hello Christina. Thank you so much for taking time to reply. I love your work and really intrigued about your stance as a Hybrid Shooter! I must admit that I hate spending days on the computer after each wedding, but I do like having the control. In my collection I have 5 film cameras, including the first SLR I got for myself back in the early 1980’s. I have a project planned for later this year, a styled shoot where I want to compare my Nikon F5 to my D4. Personally I don’t want to go back to the days of the darkroom, but interested to see the differences. I always remember looking at my father’s slides when I was growing up, and thinking how wonderful the colour and details were. Thanks again and best wishes.

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    • Jay Cassario

      Paul, I am also a hybrid shooter, and a big reason I shoot film is the look that I am going for. My medium format film camera, shooting 120 film, gives me a look and DOF that I cannot get shooting digital. Unless of course I drop $12-15k on a MF digital camera, which I don’t want to do. So, I shoot digital when I need the benefits of really good AF and dynamic range, and shoot film for a lot of my bride and groom portraits.

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