Annie Leibovitz is a photographic legend and any opportunity to watch her work is a gift. Through the years, she has photographed countless celebrities, from John Lennon (on the day of his death no less) to the royal family, from Allen Ginsberg to Lady Gaga. She has shot high-profile ad campaigns and most photographers will only dream of matching her breadth of editorial publication; Rolling Stone, Vanity Fair, and Vogue are all magazines that have at one time or another regularly published her work. With a career spanning decades, she is still going strong and, in a departure from typical automobile photography, was recently selected to work on a campaign for Lincoln Motor Company’s Continental. The company’s president, Kumar Galhotra, has said “The rich, warm emotions her photos evoke mirror the feelings we want our clients to experience on all their journeys in the new Lincoln Continental.”
One hallmark of Leibovitz’s work is her masterful lighting, and here we can observe a few of her techniques. Wherever the sun would prove problematic for her intended lighting, we see assistants taking action. On this shoot, we often see large diffusion umbrellas being held high to diffuse the harsh and direct sunlight.
Her modifier of choice is an octabox on a portable strobe (Profoto). In one instance, we get to watch her aim her strobe – in its octabox (which is an Elinchrom Rotolux) – through a car windshield to light her subjects inside.
We are offered a peek into her process. Throughout the video, we see how story-driven she is and what steps she takes to ensure her narrative shines through for the viewer. She lays out her images in a grid, in sort of a storyboard, to help flesh out the story as she’s planned it.
An interesting thing to note is her interactions with the subjects. She has chosen a cast of non-models because she wants the whole production to feel as authentic as possible. They are instructed to “bring personal effects” like the kinds of things one would choose to take on a road trip. It’s a collaborative process with all her characters as she tries to get their genuine energy and infuse that into the production. Her favorite images were the ones that were candid, when the subjects didn’t even realize they were being photographed “for real.”
Note* – this list is general as some models can’t quite be seen distinctly.
Nikon D810 (with Canon strap?)
Hasselblad (but with 100MP Phase One Back)
Elinchrom Rotalux (seemingly a few variants)
Here are some of the final images for the campaign:
Have a watch, and see the celebrated Annie Leibovitz in action.