How You Shot It: ‘Love Runs Out’ From the Music to Life Series By Jimmy Bui

How You Shot It July 5th 2014 6:27 PM 8 Comments

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Today’s post comes from Jimmy Bui, a professional wedding and conceptual portrait photographer based in the Riverside area of Southern California. Check out his previous image, “Lights,” in this postThis image is from his Music to Life series where he interprets music through conceptual photography,  and if you’re curious about checking out his series, please visit his website and look out for him on Facebook and Instagram!

Love Runs Out

Inspiration

I was watching “So You Think You Can Dance” on TV. a few weeks ago with my wife, and one of the dancers had a song called “Love Runs Out” by OneRepublic  playing in the background. Almost instantly I got an idea for a picture for my Music to Life Series that would be perfect for this song, and I wrote down my ideas. I like to think of myself as an artist, and like all good artists and creators, one should keep a notepad with them to jot down any ideas that may randomly come to them. Instead of a notepad, I use an app on my phone to help me keep track of all the songs that I want to interpret.

For the song, I envisioned a desert scene with a girl running away with a suitcase. The idea has been done before, so to make it different I wanted the suitcase to be filled with rose petals and have them seem like they’re bursting out in the picture.

I got my mind made up, man, I can’t let go.
I’m killing every second ’til it saves my soul.
(Ooh) I’ll be running, (Ooh) I’ll be running,
‘Til the love runs out, ’til the love runs out.
And we’ll start a fire, and we’ll shut it down,
‘Til the love runs out, ’til the love runs out.
-
“Love Runs Out” – OneRepublic

How I Shot It

We shot this early in the morning in the Mohave Desert to try to avoid the heat, but even at 8am, it was really warm. Not only was it warm, but it was incredibly bright and I knew I had to use some high powered flashes to overpower the sunlight. The rose petals were shot separately on another day and were composited in the final image in Photoshop. I could have shot the petals the same day with my model, but since Amber was a volunteer, I didn’t want to take too much of her time and I didn’t want us picking up hundreds of rose petals off the hot desert dirt.

Love Runs Out

I didn’t want to bring my studio strobes with me, so I used three Canon 580EX II’s set on a triple speedlight bracket with no light modifiers and triggered the flashes with a few Yonguo 622 triggers. I used the new Sigma 50mm Art lens, which is an absolute beautiful piece of glass by the way, and I placed a 3 stop filter on it so I could shoot with a shallow depth of field (I could have set the flashes to high speed sync which would enable me to shoot at a faster shutter therefore allowing me to set my aperture to f5.0, but this would have killed the ambient light a little). All in all, the whole setup worked perfectly for the look I was going for.

triple flash bracket

Since I was planning on shooting the rose petals later, I knew I  had to make sure that my settings and set up were exactly the same for the rose petal shoot as it was for my model shoot, so I kept a log of everything that I did. I recorded the time of day, the position of the sun, the distance from the camera to my subject, the focal length of my lens, the power settings of the flashes, the distance of the flashes to the subject and the camera, and a few other things. Keeping everything the same during the second shoot makes all the difference in the world, and it helps to make compositing easier and it also helps make it look more convincing as if everything was shot in the same frame.

roses

How I Processed It

I opened all the files I wanted to use in the image as stacked layers in Photoshop. I placed a mask on each rose petal image layer and painted what I wanted in the final composite one layer at a time. I also added the clouds to give more dimension to the image.

Love-Runs-Out-Music-to-Life-jimmy-Bui-Photography_C

After that, I saved it as a .PSD file and imported it into Lightroom. I used the  SLR Lounge Preset System with the intention of giving my image the 1970’s vintage magazine look I was going for. I started off with these presets, then made a bunch of adjustments in color, hue, saturation, clarity, tone etc.

Mixology ->11 Soft Portrait Standard Color
Cool Curves -> 42 Azure Vintage Punch

When I make my adjustments, it’s all just trial by error until I get a look that I’m happy with. The main places where I make most of my adjustments are in curves and in split toning, and I used the brush and gradient tools quite often.

love runs out

Gear and Settings Used

Camera: Canon 5D Mark III

Lens: Sigma 50mm F1.4 Art with a Hoya 3-stop filter

Light source: (3) Canon 580 EXII’s mounted on a triple speedlight bracket

Trigger:  Yongnuo Yn-622

Light Modifier: none, bare flash

Camera Settings: f5.0; 1/160 sec; iso 100

lighting-diagram-multiple-speedlights

Conclusion

Technically speaking, the biggest areas that I knew I needed to focus on in order to make this picture possible were keeping my settings and set up the same for both shoots to make a successful composite, and understand what it took to overpower the sun properly. It was a “precise” type of process, but it proved to be worth it in the end, and it made my job easier in the editing room.

Special thanks to Amber for volunteering as my model, and for her husband Jeff who helped with lighting. I shot their wedding last year, and they just recently celebrated their one year anniversary.

To check out more images from my Music to Life series, visit my blog at http://www.jimmybuiphotography.com/blog

About the “How to Shoot It” Series

This educational series highlights amazing images from our writers as well as our community. The goal is to not only feature inspirational work but to provide valuable education for our photography community. If you would like to submit your work, please click here for more info on writing for SLR Lounge.

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Jimmy Bui

About

Jimmy Bui is a wedding and conceptual portrait photographer based in Southern California. When he’s not shooting weddings, you’ll find him listening to his headphones and planning his next weekly photo for his Music to Life series. Check out his work at www.jimmybuiphotography.com and you can connect with him on Facebook, Twitter, or Instagram.

8 Comments

  1. Rieshawn Williams

    Jimmy you are the man! I need to shoot with you when I am in Riverside. Keep up the great work. You are inspiring to keep pushing to get better.

  2. Servando Miramontes

    So awesome! Love the filmy, vintage, look and feel! Most people just have no idea how much work and planning goes into photos they see everyday

  3. Michael Chapman

    Very impressive! Nice work!

  4. Jared Stewart

    Great image! Love the concept.

  5. carl michaels

    (I could have set the flashes to high speed sync which would enable me to shoot at a faster shutter therefore allowing me to set my aperture to f5.0, but this would have killed the ambient light a little).

    The 3 stop nd filter killed the ambient too. I don’t see the difference, other than the high speed sync probably wouldn’t have had sufficient power for the fill…

    • Jimmy Bui

      The use of the nd filter gave me the look that I wanted. If I shot with hss, I would have needed to change my aperture, which I didn’t want to. And you’re right, shooting at a slower shutter allowed for a little bit of ambient fill. Had I shot with hss, the results would have been a little similar, but ultimately I just liked the look with the nd filter better.

  6. Dick Raymond

    Amazing photo! Thank you for the explanation on how you did it! I really learned from this article and would like to try this someday for myself!

  7. Jesse Rinka

    Nice write-up and a solid end-result.

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