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	<title>Comments on: My Favourite Lens Is Also My Cheapest Lens &#8211; Nikon 50mm f/1.4G</title>
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	<link>http://www.slrlounge.com/my-favourite-lens-is-also-my-cheapest-lens-nikon-50mm-f1-4g</link>
	<description>Photography tips and photography tutorials and more</description>
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		<title>By: Lönja Selter</title>
		<link>http://www.slrlounge.com/my-favourite-lens-is-also-my-cheapest-lens-nikon-50mm-f1-4g#comment-47862</link>
		<dc:creator>Lönja Selter</dc:creator>
		<pubDate>Fri, 01 Mar 2013 18:54:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.slrlounge.com/?p=128966#comment-47862</guid>
		<description><![CDATA[I also love my 50/1.4, but for me its the most expensive bit of glass i have, and thats for one that has an incompatible AF to my d60...

works great with extension tubes :D
love it]]></description>
		<content:encoded><![CDATA[<p>I also love my 50/1.4, but for me its the most expensive bit of glass i have, and thats for one that has an incompatible AF to my d60&#8230;</p>
<p>works great with extension tubes :D<br />
love it</p>
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		<title>By: Paul</title>
		<link>http://www.slrlounge.com/my-favourite-lens-is-also-my-cheapest-lens-nikon-50mm-f1-4g#comment-47349</link>
		<dc:creator>Paul</dc:creator>
		<pubDate>Tue, 05 Feb 2013 02:43:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.slrlounge.com/?p=128966#comment-47349</guid>
		<description><![CDATA[I still am using my Nikon D70 and 50mm f/1.4D combination (yes D70, not D700 or D7000 ... I tend to keep things for a while).  I originally got the D70 with the better of the two offered kit lenses back in 2004 but added the 50mm a few years later.  Since then, I have not taken it off of the D70.  It is time to replace the D70.  A friend will wind up with it and the kit lens.  My photography skills (OK, maybe just aspirations) have progressed to a point to where the D70 is sometimes a serious limiting factor.

I am looking at a D600 or D800 and the 50mm lens will be used on whichever of these two camera bodies I get.  This will happen when I am conviced that there is no more left focus issue with the D800 or no oil/dust problem with the D600 sensor.  In other words, when Nikon gets their quality control act together.  I would like to get a wider angle, perhaps a quality zoom or prime lense with image stabizaton so I could hand-hold the camera at slower shutter speeds.

Thanks for the encouraging and interesting article!

Paul]]></description>
		<content:encoded><![CDATA[<p>I still am using my Nikon D70 and 50mm f/1.4D combination (yes D70, not D700 or D7000 &#8230; I tend to keep things for a while).  I originally got the D70 with the better of the two offered kit lenses back in 2004 but added the 50mm a few years later.  Since then, I have not taken it off of the D70.  It is time to replace the D70.  A friend will wind up with it and the kit lens.  My photography skills (OK, maybe just aspirations) have progressed to a point to where the D70 is sometimes a serious limiting factor.</p>
<p>I am looking at a D600 or D800 and the 50mm lens will be used on whichever of these two camera bodies I get.  This will happen when I am conviced that there is no more left focus issue with the D800 or no oil/dust problem with the D600 sensor.  In other words, when Nikon gets their quality control act together.  I would like to get a wider angle, perhaps a quality zoom or prime lense with image stabizaton so I could hand-hold the camera at slower shutter speeds.</p>
<p>Thanks for the encouraging and interesting article!</p>
<p>Paul</p>
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		<title>By: Stan Rogers</title>
		<link>http://www.slrlounge.com/my-favourite-lens-is-also-my-cheapest-lens-nikon-50mm-f1-4g#comment-43917</link>
		<dc:creator>Stan Rogers</dc:creator>
		<pubDate>Tue, 26 Jun 2012 11:57:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.slrlounge.com/?p=128966#comment-43917</guid>
		<description><![CDATA[A lot depends on how you tend to see the world around you, and I&#039;ve found that shooting with something that more-or-less matches what you&#039;re seeing anyway makes getting vision to print/screen a lot easier.


Back in the silver halide days, my walking-around lens was a 90mm/2.5 macro (Tamron&#039;s 90 has always been a superb lens, and the old, shorter 1:2-native Adaptall 2 version was still quite compact), and it suited my vision; a fifty always felt like &quot;going wide&quot; to me. Similarly, the &quot;nifty fifty&quot; on an APS-C camera fits me very well (although going to 60 would be better from a FoV perspective, losing out on two stops or so of shallow DoF isn&#039;t worth the trade-off for me).


On a full-frame Nikon these days, I&#039;d be likely to use the almost-invisible 85mm/1.8. Not only is it a good lens sitting around my personal sweet spot, it&#039;s smaller and less intimidating/invasive-seeming than even the 18-55 kit lens (especially in the &quot;D&quot; version). That, too, is part of the charm of the fifty on a crop sensor: when you&#039;re shooting people, you can get considerably more intimate before your subjects feel it.]]></description>
		<content:encoded><![CDATA[<p>A lot depends on how you tend to see the world around you, and I&#8217;ve found that shooting with something that more-or-less matches what you&#8217;re seeing anyway makes getting vision to print/screen a lot easier.</p>
<p>Back in the silver halide days, my walking-around lens was a 90mm/2.5 macro (Tamron&#8217;s 90 has always been a superb lens, and the old, shorter 1:2-native Adaptall 2 version was still quite compact), and it suited my vision; a fifty always felt like &#8220;going wide&#8221; to me. Similarly, the &#8220;nifty fifty&#8221; on an APS-C camera fits me very well (although going to 60 would be better from a FoV perspective, losing out on two stops or so of shallow DoF isn&#8217;t worth the trade-off for me).</p>
<p>On a full-frame Nikon these days, I&#8217;d be likely to use the almost-invisible 85mm/1.8. Not only is it a good lens sitting around my personal sweet spot, it&#8217;s smaller and less intimidating/invasive-seeming than even the 18-55 kit lens (especially in the &#8220;D&#8221; version). That, too, is part of the charm of the fifty on a crop sensor: when you&#8217;re shooting people, you can get considerably more intimate before your subjects feel it.</p>
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