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Large Format Photography with Nikon D800

You may remember earlier in the year, we had an article where a Nikon D800 was retrofitted with medium format lenses by Laurent Thion. Now, in his guest blog post on Nikonrumors.com, photographer Jan Håkan Dahlström is taking it one step more by taking his D800 and mounted it to an Arca Swiss 4×5/9×12 rail camera, a Nikon-mount extension tube, and an Yamasaki Congo 180 mm/4.5 large format lens. The benefit with using a large format lens is that it has a large sensor coverage, providing a greater range for tilting and shifting, as well as better perspective control and even more shallower depth of field.

Nikon D800 Large Format Photography by Jan Håkan Dahlström

Nikon D800 Large Format Photography by Jan Håkan Dahlström




It doesn’t seem to be a very difficult to retrofit a Nikon D800 into a large format camera, so if you want to find out how to do this for yourself, be sure to read the article on NikonRumors.com. Of course, the only caveat is that the Arca Swiss 4×5/9×12 rail camera is close to $4,000.


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  • http://www.facebook.com/ryanalldread Ryan Allred

    I guess I’m a total tard or something. I don’t see what the purpose of this would be. I can’t tell the big difference in the photos taken using this method.

    • http://www.facebook.com/brandon.magpantay Brandon Magpantay

      “The benefit with using a large format lens is that it has a large sensor coverage, providing a greater range for tilting and shifting, as well as better perspective control and even more shallower depth of field.”

      • Philipp

        “…even more shallower depth of field.” -> I don’t think so. Why should it?

  • http://www.facebook.com/gyulai.zoltan Gyulai Zoltan

    this is just pure self-marketing BS. he just got a very low resolution image on a high res sensor, a TS telephoto lens of mediocre speed. absolutely useless, but looks good. its the photography equivalent of viagra light: looks good on the beach but its not good enough for (censored word)

  • Adam Milton

    The benefit of using a DSLR with a bellows with adjustable standards is really only limited to product, especially food, and architecture photography. There area few tilt/shift lenses on the market, but to my knowledge, none of them allow for the lens to be tilted and swung at the same time, you can only do one or the other. In other words, you can’t tilt the lens vertically and horizontally, you have to pick one. The only time you would really ever use that is shooting architecture though, so it’s not really that big of a deal.

    You get a shallow depth of field by tilting the lens, effectively moving the plane of focus, which is normally perpendicular to the sensor. When you tilt, you can have both depth of field and the background out of focus, so you can shoot f/8 and still blur the background, make sense? In food photography this allows the entire dish to be in focus, yet blur the background. If you just shot this with a large aperture, you would lose focus on the front and back of the dish.

    Most of the time that is just fine though, so the tilt/shift is really only necessary for commercial applications.

  • http://www.facebook.com/mikepenneyphoto Mike Penney

    this is all fine until you need a wide angle view…. then you are back to shorter 35mm type lenses…  better to go with tilt shift lenses made for the camera or buy into a real digital set up for a rail camera from phase one, leaf, or other fine company at twice the price of a car… OR JUST USE FILM…

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